French photographer Thibaud Poirier has created a series of photos documenting 25 of Europe’s grandest and beautiful great libraries. Poirier’s images capture the vast interior spaces of what he calls “temples of cultural worship.” In all of the these images the libraries are empty.
The artwork of Los Angeles-based American artist Sam Durant has often addressed social, political and cultural issues in bold ways. His work titled “End White Supremacy” was recently added to the collection of the Hammer Museum in Los Angeles. The lettering style of this direct, unequivocal message was inspired by the hand-written sign carried by an American civil-rights protester in the 1960s. Durant put these words on the type of backlit commercial signage one sees at businesses and strip malls everywhere. The work amplifies a message of activism through the medium of business and advertising.
“Clear Air Turbulence” is Hong Kong-based British artist Simon Birch’s monumental sculptural installation at his “14th Factory” exhibition in Los Angeles. The artwork is a rectangular black pool planted with the wings and tail fins salvaged from various old airplanes parked out in the Mojave desert at the so-called “airplane graveyard.” At first glance, these aircraft parts appear like the fins of giant sharks or whales lurking just beneath the surface of the water.
Like a shiny extra-terrestrial bobble tucked into the foothills above Palm Springs, “Mirage” by Los Angeles-based artist Doug Aitken is among the most striking contemporary-art experiences of 2017. It’s probably the unofficial rockstar of Desert X, an inaugural exhibition of site-specific artworks mostly in the form of installations and sculptural objects spread across the desert landscape of the Coachella Valley.
“Mirage” is a literal house of mirrors. Its loose architectural form is a single-story ranch house in a nod to the region’s traditional housing style. But it’s a ranch house with a shape augmented by contemporary touches – a skylight, a balcony, a window-less chamber.
All that architecture is just a platform for Aitken’s bold visual statement and its main feature: The mirrored surfaces of the house inside and out. The exterior walls, and interior walls and ceilings, are mirrors reflecting the desert landscape outside and multiplying the reflections inside like a silverlight echo chamber. It is not enough to look at it.
Walking through “Mirage” is to be entranced by the unceasing play of light from every angle and reflective pane and by the all the possibilities in reframing your view of the bright desert outside through the house’s many windows
This 2007 sculptural object by artist Jimmie Durham is a bold assemblage of red oil drums, canvas, acrylic, PVC and an old wooden boat the artist found in Lisbon, Portugal. The title “L’essence” is the French word for gasoline. The boat seems to be afloat atop the metal oil barrels. The artwork is currently on view at the Hammer Museum in Los Angeles, part of a retrospective of Durham’s work.