We need more emojis, and we need these 230 newly released emojis pictured above. Why? Because the previous full set of emoji lack the visual vocabulary for some important things and ideas that are part of our contemporary lives and need to be expressed. Furthermore, these new emoji give us a sharper communications tool set to not only express a thought or emotion, but to express identity and talk about a broader, more diverse and realistic variety of persons in more visually specific ways. Most notably there’s an entire new subset of emoji depicting persons in wheelchairs, with physical or sensory disabilities and prosthetics, service dogs, and same-sex couples. These icons are long overdue.
God bless the New York Post. Love it or hate or both, as many New Yorkers do, amusing, pun-filled headlines like the one pictured above are almost a tradition at the Post. Journalists and editors dream of news stories that might warrant such a funny yet legitimate headline.
In this case, “Bezos Exposes Pecker” is a brilliant double entendre. Amazon co-founder and CEO Jeff Bezos literally exposed his … er, “pecker” when he took a selfie of his … er, “junk” (a.k.a., a “dick pic”). The photo was allegedly from his cellphone and leaked to the National Enquirer, whose owner is named — and here is where the stars really aligned for the Post — David Pecker.
Bezos then publicly revealed that the Enquirer allegedly tried to blackmail him, using the release of the dick pic as leverage. In doing so, Bezos literally exposed David Pecker’s alleged scheme. He exposed Pecker.
Fakes news? No, You can’t make this stuff up. It’s real news. And real funny.
The much-beloved American writer, television show presenter, foodie and former chef Anthony Bourdain passed away in June last year in a an apparent suicide. Bourdain was in France at the time. The news shocking. We were fans of his books, as well of his food and travel TV series “No Reservations” and “Parts Unknown.” The latter was still in production for CNN when Bourdain died. Within days a mural of Bourdain was painted in tribute to him by artist Jonas Never.
The artwork is on an exterior wall of the Gramercy, a restaurant in Santa Monica, in Los Angeles, and it has become a local landmark. You can find it on 25th Street near the southwest corner at Wilshire Boulevard.
Murals of homage and tribute are not new. Portraits of movie stars and rock stars as well as grass-roots political leaders have often been painted in remembrance of their talents and greatness after their deaths. But a celebrity chef? Rare.
Granted Bourdain’s celebrity was attained near the tail end of his hands-on culinary career. He wrote his bestselling memoir “Kitchen Confidential” while still in the employ at the New York City restaurant Les Halles. The book made him a small “c” celebrity in the world of food and foodies.
He wrote several more successful books and became a fixture on cable-TV cooking shows a la the Food Network. Later, his own TV shows transcended the cooking genre and became more about travel albeit with food at its center. These were travelogues. Each episode was in essence a mini-documentary about a country, its culture and cuisine, its history and society.
We lived vicariously as Bourdain shuttled by plane, boat, train, car, horseback, etc., from one destination to another, from one cultural landmark to the other, sampling both the sublime and the touristy, while also sampling an incredible array of local restaurant fare. As a result of CNN’s “Parts Unknown” popularity, Bourdain had practically become a household name.
The Museum of Modern Art in New York is set to close for four months starting in June for the completion if its final phase of renovations. The museum will have spent about $400,000,000 on the changes, which includes the incorporation of adjacent properties with the main museum building. It’s not just architectural change that’s happening. The renovations will also bring changes to the way artworks are presented in the galleries — and where — and the on-view collection itself.
This artwork by artist Urs Fischer’s boldly stares at you with an equally bolder collage of photographic and graphical colors and patterns. Large art installations and sculptural objects are more typical of Fischer’s body of work, though more traditional, flat 2D images that hang like paintings are part of his catalog too. This one is titled “16 Handles” and is on view as part of the permanent collection at the Marciano Foundation of Art in Los Angeles.
As part of Global Graphica’s ongoing electronic music project Aloha Death, we’ve released a re-mastered version of our first tune, “Sea of Fog.” We’ve released it with new art work too! You can stream or download on Apple Music / iTunes, Spotify, YouTube and almost everywhere now! Or listen now via the link below!
It’s a question you have to ask, right? Look at this painting! It’s a masterpiece of post-modern art. The painting is a major work of abstract expressionism by artist Helen Frankenthaler. (You can find it in the permanent collection of LACMA in Los Angeles.)
Titled “Renaissance,” it’s a beautiful mix of juicy, sultry red hues like crimson, burgundy, and scarlet, to name a few.
But look carefully, gentle reader, and you’ll see that it is plausible that Frankenthaler simply knocked over a few bottles of red wine and maybe a bowl of beets onto a canvas to create this artwork.
So how did this happen? Perhaps it happened like this: In a fit of painter’s block, the artist took a lunch break. On a table nearby sat a selection of wine bottles. She dined on beet salad (an unusually large beet salad!). As she dined and sipped an earthy Cote du Rhône from a glass, she thought about her painting and her vexing drought of ideas.
Suddenly in an act of frustration she upturned the dining table like a Real Housewife does a table flip. Wines and very unusually large beet salad went crashing onto the canvas as it lied on the floor. Her work was done.
If only this is how it happened. But alas the process was probably very different. And way more complex.
A colleague recently rocked this rad pullover hoodie with the words “Anti-High” on the front. On the back are black-and-white photos of pop singer Rihanna. Not surprisingly, the clothing is album merch from Ri Ri herself.