Raymond Dunlap’s “Awake of the Whales” is a high-water mark in the Houston, Texas-based artist’s two-decades of output. It’s one of a collection of his abstract-expressionist paintings on view later this month at the Amano Gallery in Osaka, Japan. Dunlap once lived in Japan, and its influence informs his body of work in deeply embedded ways that are not immediate or obvious. Native-American spiritual traditions, folk tales and nature are reflected in his paintings, as are Japanese shintoism and spirituality. Find more of his Dunlap’s work on Instagram @dunlapian
Yes, what if that distinct, massively influential, totally original, modern, German-born design philosophy and aesthetic was applied to some of the best known and iconic global brands? (We’re referring to Bauhaus.) What would that look like? Have you ever wondered such a thing? Well, the logos might look more like these as presented by AdWeek magazine. Applying Bauhaus style to the likes of such brand identities as Apple, Burger King, etc., is a brilliant exercise that forces the designer and reader to unpack all the myriad design decisions involved in creating a logo, and it reveals how to see familiar things in a new way. A few years ago we visited the Bauhaus museum in Berlin, and it was one of the highlights of the trip. We seriously, highly, emphatically, and passionately recommend you take a couple of hours to visit the museum if you ever find yourself in the German capital, one of the coolest cities in the world.
Yeah, probably. That the question is even being asking is telling in and of itself. It’s still early days in 2019, but the year already has witnessed a grand watershed moment in the City of Angels’ cultural capital.
Last month the Frieze Art Fair was held for the first time in Los Angeles. Aptly enough, the venue was the backlot of the legendary and Paramount Pictures film studios.
A recent New York Times article took a deeper look at the state of L.A.’s art scene. It concluded that L.A. is the equal to N.Y.C. in contemporary art. But it may risk losing its distinct L.A.-ness in the future. L.A. could just become another art hub too similar to New York.
We’ve been watching L.A.’s art scene for years. It has dramatically changed over the past decade. Especially in the past few years. Since 2015 there has been an ever more accelerated expansion. Two significant new museums have opened, the Broad and the Marciano Art Foundation.
Its current major museums and galleries are either being renovated, re-invented or have expanded or are planning massive expansions. These include the Hammer Museum, LACMA, MOCA and the ICA (formerly the Santa Monica Museum of Art now in Downtown LA’s Arts District). These have attracted bigger, bolder names to its spaces with more LA-specific, and more ambitious, exhibitions.
And the number and footprints of major galleries have grown, as have its art fairs and events. London- and Berlin-based Spruth Magers opened a massive gallery across from LACMA. L.A. is now home to Deitch Projects. Add to all this, the city’s profile as an art-world town in popular culture is growing (beyond the film-TV-music-entertainment world) as seen in the recent Netflix film “Velvet Buzzsaw.”
Our band Aloha Death has released a fresh new tune! It’s titled “Beach Condo.” You can stream it or download it now on Apple Music / iTunes, Spotify, YouTube and almost everywhere! Or give it a listen now via the link below!
As part of Global Graphica’s ongoing electronic music project Aloha Death, we’ve released a re-mastered version of our first tune, “Sea of Fog.” We’ve released it with new art work too! You can stream or download on Apple Music / iTunes, Spotify, YouTube and almost everywhere now! Or listen now via the link below!
British artist Matthew Stone‘s paintings are not really paintings. His epic images look like paintings but look closely at the canvas and you’ll notice something is off. Things are not what they seem. Stone’s pictures are really digitally-manipulated and printed images, pre-composed and affixed onto linen canvas.
The images themselves are compelling, surreal distortions of photo-real human bodies, incomplete and segmented parts of bodies, partially clothed or bare. Images rendered as if cut-out from Renaissance painting and re-composed in blank space without context. It’s a neat trick that that in and of itself is not enough, but here, coupled with Stone’s stunning vision and imagery, the artwork sucks you in.
The painting in the photo posted above was recently on view at New York gallery The Hole‘s space at the Art Los Angeles Contemporary art fair. The painting is part of the “Neophyte” series at Stone’s show at the Hole in NYC last year.
Lee Clow announced his retirement last week. Who? What? Who again? Ok, so you might not know his name — It’s not a household name, but if you work in the advertising or marketing world, and especially in an advertising agency and have done your homework or have a passion for creativity, then you will have heard of him.
For nearly five decades, Clow was the creative force at a global ad agency called TWBA. And he was the visionary behind Apple’s iconic commercials and ad campaigns, including a Super Bowl ad often cited as one of the greatest TV spots of all time known. The ad is often referred to as “1984” and it first introduced the Mac.
Clow is a self-described pirate, and he was a product of Los Angeles’s counter-cultural surf culture. He was a surfer and to this day the TBWA agency’s sprawling L.A. office is decorated with dozens upon dozens of surfboards. His rebel worldview shaped his approach to advertising and creativity.
This small smoked-glass cube by artist Larry Bell is a classic of minimalism. And now it can be yours for a mere $95K. The cube is a signature of Bell’s body of work, though much smaller than most of his cubes on display in almost every significant museum collection of post-modern art. This one titled “SMBKWDEN #6” recently was on view at the Pete Blake Gallery at Art Los Angeles Contemporary 2019.
This street art mural of a tiger in Los Angeles is cleverly placed behind two dumpsters. The effect is of the tiger crouching, hiding behind the trash bins, ready to pounce, as if surreptitiously stalking prey. Photo by the incomparable art director and musician Raymond Hwang (@raymadethat on Instagram).