Last week, we stumbled upon this vintage copy of Yoko Ono’s influential 1964 conceptual-art book “Grapefruit.” It was in a display case arranged with various jewelry, accessories and other small objet at General Store in Venice, Los Angeles. The cool-as-fuck book cover has a black-and-white photo of Ono and titles in a lower-case serif typography of a style that has re-surfaced in recent years in the indie magazine and graphic design worlds. The book itself is not so much an artwork as it is a collection of instructions for creating specific performance art pieces and media, a legit artificat from art’s Fluxus movement of the 1960s in downtown New York, where Ono established herself as a leading figure.
Maximalist German publisher Taschen, producer of epic coffee-table books devoted to all things art and design, has recently given its Los Angeles gallery a wholesale pink makeover. It’s part of the company’s promotion of its new book celebrating the work and career of L.A.-based British artist David Hockney. The gallery is playing host to Hockney’s paintings. The pink exterior is accented with a bold, all-caps, blue treatment of the books title: “A Bigger Book.” The colors reference colors often used in Hockney’s many painting of Los Angeles. Pretty awesome.
Murals of iconic Disney cartoon character Minnie Mouse recently have been popping up at locations of the hip Alfred Coffee in Los Angeles. The one pictured here is at the third-wave coffee chain’s Studio City cafe. Minnie is shown standing in a cloud of polka dots, for which she is known. At her heels is the hastag #rockthedots. The murals are part of a recent Disney promotional campaign and collaboration with various brands that strategically coincides with National Polka Dots Day (it’s real … who knew?!?!?).
There must be a word in the English language for when a thing is designed to look like another object with which it’s associated in some practical way, but we can’t find a suitable word. Take for example, this bicycle rack in Silver Lake, in Los Angeles. The rack is shaped like a set of bicycles. It’s a nice touch that makes an otherwise mundane, utilitarian piece of street furniture into an amusing part of the urban landscape. The bicycle shape of the rack communicates its purpose, making the rack easier to visually identify at a distance and thus the search for it that much easier. As for a suitable word, we suggest creating a new, more applicable word. Our suggestion: “resembladinger.” It’s a portmanteau we mashed up from the the words “resemble” and the old Germanic word “ding,” which means thing. We added an “-er” suffix for effect and to suggest it having a practical, tool-like quality. Any other suggestions? Let us know.