The unthinkable has happened. Yes, savvy reader, bona fide post-modern rockstar artist and art-world darling Jeff Koons has collaborated with major, global luxury brand Louis Vuitton, installing his iconic stainless-steel inflatable-bunny “sculptural object” titled “Rabbit” in the brand’s boutique display windows alongside special-made stainless-steel balloon versions of the LV logo.
The idea is genius, if maybe accidental and gimmicky to the extreme. HWY is a shop on Sunset Blvd. in Echo Park, in Los Angeles, that sells vintage clothing and original branded HWY t-shirts with a biker bent. The clothes racks and merch tables occupy much of the front half
The Atlantic magazine produced a cool little video about Studio B and efforts to preserve and exhibit graffiti art from an abandoned New Orleans housing project. The video is done in mini-documentary style and titled the “Eternality of Graffiti.” We love the title, by the way!
We are fans of architecture. Even more so we are fans of “architectural design.” However, kitsch and the aesthetics of the contemporary commercial Xmas holiday experience, we are not fans of. But we were intrigued by a recent contest at our office to design and build a holiday-style gingerbread house.
The current mural at the “Bowery Wall” (a.k.a., the “Deitch Wall”) in downtown New York City is an epic, colorful composition of 3D block letters and abstract 2D graphical shapes. The massive painting is by the artist Lakwena and its message “Lift you higher” could be describing the artwork itself.
The British jazz-pop singer Sade can be counted in the Pantheon of 1980s music icons. Her music videos for songs like the “The Greatest Taboo” and “Smooth Operator” were a staple of MTV (back when MTV entire programming consisted of music videos). She is among several influential 1980s pop-cultural icons depicted
There is street art. There are cliches. And there are street-art cliches (SAC). That said, we think “trope” is the better suited word here rather than the word “cliche.” So, “street-art trope.” (SAT, of course). There are street art tropes! There is, dare we use the term, “tropey” street art.
There’s really no excuse for this. Unless it’s a college dormitory or your parents’ basement or the living room of a pro skater or the place of business for somebody connected to the skateboarding industry (and by extension the surf industry), skateboards as decorative wall art is no bueno, brah!
Japanese artist Yayoi Kusama’s current exhibition at the Broad Museum in Los Angeles is a sensation. It’s a huge bona fide hit. In large part this is due to her super Instagrammable and severely FOMO-inducing art installation known as the “Infinity Room.”
Like a vintage wine, some street art ages remarkably well. Others not so well. Take for example most wheat-paste street art posters like the one pictured here in Venice, Los Angeles, by artist Shepard Fairey (see all Shepard Fairey posts). It’s classic Fairey. But it’s showing its age. It’s worn,
Artist Glenn Ligon‘s “Double America 2” is among the most profound works of contemporary American art, and it is profoundly American. It’s absolutely brilliant. The artwork can read on several levels. At its core is the idea of there being two different Americas or American experiences largely due to race,