Hey, look! The Hammer Museum of Art in Los Angeles has some new artwork! The museum, more often referred to by locals simply as “The Hammer” (and, by the way, how fucking cool of a name for a museum is that?) recently acquired some new art. It’s mostly of the contemporary variety, which regular readers of Global Graphica will know, we L-O-V-E the most.
As an art museum is wont to do, the Hammer has put on an exhibition of these newly acquired works in a show titled “Living Apart Together.” Among the standout pieces in the show (and there are many) is Los Angeles artist Barbara T. Smith’s “Field Piece,” a small forrest of 16 tall, narrow resin trunks (described by the museum as fiberglass “blades”) that are not too dissimilar to — dare we say it — male genitilia. A.k.a., dicks! In other words, some people might call these “phallic.”
But, we dear reader, are not one of such people. We don’t think these are phallic at all, and we do believe that it was not in the mind of the artist to create something as such at the time (that time being between 1968-1972, when Smith created “Field Piece”).
But no matter. Because “Field Piece” is thought-provoking, as all rewarding encounters with art should be. It’s that … Aaaaaaaaand it’s also something that would look fantastic in our living room!
The work of Brooklyn-based artist Simone Leigh explores many themes. Among these are the African diaspora and identity. A small exhibition of this work is currently on view at the exceptionally well-curated Hammer Museum of Art in Los Angeles. The show includes sculpture and an installation of an African-modeled thatched hut that houses a monitor displaying a video of a choreographed dance.
This ping pong table installed in the second-floor terrace of the first-rate Hammer Museum in Los Angeles (and, by design, the museum-visiting couple playing) is a conceptual piece of installation sound art titled “Sound Piece for the Hammer Museum,” one of a series of projects at the museum by Machine Project. Love it.