Tag Archives: the broad

SIZE MATTERS: EPIC 82-FOOT LONG MURAKAMI PAINTING STEALS SPACE FROM OTHER ARTISTS

This massive painting by Japan’s most successful and well-known contemporary artist Takashi Murakami is displayed in the primest spot of the Broad Museum in Los Angeles. It’s huge. It’s epic. It’s unmissable. Anyone entering the museum’s main galleries, where the core selections from the permanent collection are exhibited, will see it as they arrive from the lobby, whether they come via escalator, elevator or a stairway.

So exactly how big is this painting? And what’s it called? Continue reading

ADVENTURES IN NEON: HOW “DOUBLE AMERICA 2” IS THE PERFECTLY SYMBOLIC ARTWORK FOR THE TRUMP ERA

Artist Glenn Ligon‘s “Double America 2” is among the most profound works of contemporary American art, and it is profoundly American. It’s absolutely brilliant.

The artwork can read on several levels. At its core is the idea of there being two different Americas or American experiences largely due to race, and, more pointedly, to racism, discrimination and its place in the nation’s history.

It points to the psychology of identity, the sense of black and white, rich and poor, haves and have-nots, exterior image and interior reality, something bright — and brightly lit — and ideal versus something gravely wrong, upside down, dark and flickering.

We’ve seen this artwork several times over the years elsewhere in museums around the U.S. and the world. We recently viewed it at the Broad Museum in Los Angeles (pictured here). It’s the first time we’ve seen Ligon’s artwork since the U.S. Presidential campaign and election of Donald Trump, an event that brought the startling breadth of the nation’s cultural, economic, racial and political divides into the sharpest focus. 

“Double America 2” seems a perfectly pointed and symbolic visual meme for the times, for the condition of the United States in the politically divisive, ugly “Trump Era.”