For years we would see the wheat-pasted artwork of artist Spazmat posted around downtown New York City. His posters were unmissable. His street art was comprised of an iconic image: An illustrated portrait of a skeleton with a cell phone in its bony hand held up to the skull as if talking on the phone. The posters were usually rendered in a stark white on black. Informally dubbed as “Skull Phone,” the image suggested many things, among these the dangers of technology. We hadn’t seen Spazmat’s artwork in many years until we recently saw one of his skull phone wheaties on a utility box along Pacific Coast Highway in Los Angeles. This one was printed in blue and white with a striped design, almost nautical in style and fitting for its location a few meters across the road from the ocean.
Last week, we stumbled upon this vintage copy of Yoko Ono’s influential 1964 conceptual-art book “Grapefruit.” It was in a display case arranged with various jewelry, accessories and other small objet at General Store in Venice, Los Angeles. The cool-as-fuck book cover has a black-and-white photo of Ono and titles in a lower-case serif typography of a style that has re-surfaced in recent years in the indie magazine and graphic design worlds. The book itself is not so much an artwork as it is a collection of instructions for creating specific performance art pieces and media, a legit artificat from art’s Fluxus movement of the 1960s in downtown New York, where Ono established herself as a leading figure.
Murals of iconic Disney cartoon character Minnie Mouse recently have been popping up at locations of the hip Alfred Coffee in Los Angeles. The one pictured here is at the third-wave coffee chain’s Studio City cafe. Minnie is shown standing in a cloud of polka dots, for which she is known. At her heels is the hastag #rockthedots. The murals are part of a recent Disney promotional campaign and collaboration with various brands that strategically coincides with National Polka Dots Day (it’s real … who knew?!?!?).
There must be a word in the English language for when a thing is designed to look like another object with which it’s associated in some practical way, but we can’t find a suitable word. Take for example, this bicycle rack in Silver Lake, in Los Angeles. The rack is shaped like a set of bicycles. It’s a nice touch that makes an otherwise mundane, utilitarian piece of street furniture into an amusing part of the urban landscape. The bicycle shape of the rack communicates its purpose, making the rack easier to visually identify at a distance and thus the search for it that much easier. As for a suitable word, we suggest creating a new, more applicable word. Our suggestion: “resembladinger.” It’s a portmanteau we mashed up from the the words “resemble” and the old Germanic word “ding,” which means thing. We added an “-er” suffix for effect and to suggest it having a practical, tool-like quality. Any other suggestions? Let us know.
A classic example of Los Angeles movie-theater architecture from the early days of cinema, the Vista on Sunset Boulevard in Los Feliz is a landmark. Built in 1923, it has been a part of the LA urban landscape for nearly a century, from the silent-film era through to the recent “La La Land,” which can be seen promotoed on the theater marquee.