We’ve been following the work of artist Chris Burden for a long time. We’re fans. Especially of some of his recent installation artwork like “Urban Light” LACMA and “Metropolis II” in Los Angeles, which we’ve posted about before. Burden has a new show at the New Museum in New York called “Extreme Measures,” and we’ve already gone to check it out a few times to re-experience the work (and have some photographic fun, too). The work pictured here is titled “1 Tone Crane Truck,” which is literally what you see.
We paid a visit to the New York City studio of Polish artist and filmmaker Aleksandra Niemczyk a couple of months ago to view work in progress for an upcoming solo show, which opened last week at Galleri A in Oslo, Norway. The show is titled “Density – Urban Landscape” and draws heavily from the architectural environment of Niemczyk’s New York studio and specifically from Manhattan’s vertical urban landscape. Niemczyk’s work is abstract and minimalist, but exudes a warmth rescued from big-city density. The exhibition runs through September 22. Check it out if you’re in Oslo or see more of the show via Niemczyk’s blog.
There’s currently a massive survey exhibition of work by New York-based Swiss artist Urs Fischer at the Museum of Contemporary Art (MOCA) in Los Angeles. It’s a great show and among the works are these massive cut-outs of the walls between three of the museum galleries.
At the current 10-year anniversary exhibition at the Mori Art Museum at Roppongi Hills, in Tokyo, a gallery was devoted to a mini-retrospective of the futuristic, thought-provoking design and style of cult Japanese fashion brand Final Home.
Last week we paid another visit to FOAM, the wonderful, influential photography museum in Amsterdam, where there is currently a major exhibition of photographs by Stephen Gill. Included in the show were several images from the British photographer’s “Covered or Removed” series, a collection of photos of urban spaces in the U.K. where graffiti has been scrubbed or painted over. Great stuff.
Beautiful, fading poster on Crosby Street in SoHo, New York, promoting artist-designer Dylan Egon‘s “Art as Lifestyle” exhibition and furniture collection this past December at reGeneration in New York