We were in Silver Lake, in Los Angeles, stopping by a popular espresso bar for a quick coffee, driving around and around looking for a spot to park when there it was staring at us: A poster by artist Shepard Fairey. A little later, on a recent visit to the
Like a vintage wine, some street art ages remarkably well. Others not so well. Take for example most wheat-paste street art posters like the one pictured here in Venice, Los Angeles, by artist Shepard Fairey (see all Shepard Fairey posts). It’s classic Fairey. But it’s showing its age. It’s worn,
The ever-gentrifying Arts District in Downtown Los Angeles is home to lots of large-scale street art, including this classic Shepard Fairey politically-tinged mural on Alameda Street behind the Angel City Brewery. The artwork depicts the late U.S. president Ronald Reagan holding a sign that says “Legislative influence for sale.” Its
We spotted some new street art from artist Shepard Fairey in an unusual spot last week. Along Pacific Coast Highway, under the towering bluffs of north Santa Monica, there’s an abandoned, partially destroyed retaining wall where two new black-and-white graphic posters had been wheat-pasted. One poster is of draped triangle
In 2008 street artist and designer Shepard Fairey created a colorful poster depicting then U.S. presidential candidate Barack Obama with a single-word message “Hope” written on it. The image had a graphic, illustrative quality and was based on a press photo of the candidate. The poster was an instant classic
Our contributing editor Ryan Baum came across this super awesome mural by the ever-prolific Shepard Fairey at Rhode Island School of Design (RISD) in Providence, Rhode Island. Fairey’s artwork here is site specific, drawing from local architectural imagery and referencing the city’s important industrial history. Great stuff. Ryan Baum images.
We were riding down the Speedway today when we saw this piece by Shepard Fairey peering at us from behind a chain-linked fence near the intersection with Brooks Court in Venice, in Los Angeles. The wheat-paste appears on the facade of a condemned building overlooking an equally barren courtyard. We