This colorful flurourescent-light sculptural object at San Francisco MoMA is a minimalist classic by the late artist Dan Flavin. Regular visitors to GlobalGraphica may have noticed that we’re suckers for minimalism (it’s true). Works like this really appeal to our sense of a lean, clean, pared aesthetic and the power of empty space. Like much of the work that marked the latter and better-known part of his artistic career, Flavin’s SF MoMA installation makes use of readymade materials — tubes and fluorescent lights — and is composed within site-specific architectural spaces.
The artwork of the late American conceptual and minimalist artist Sol LeWitt dominates the new mezzanine-level ticket lobby of the expanded San Francisco Museum of Modern Art (SFMoMA). This massive, painted installation is titled “Loopy Doopy” and is another example of LeWitt’s use of bold color and lines in his body of work. The artwork is fresh and exuberant and its curva-linear lines compliment the clean geometric lines of the architecture.
At the recently re-opened, renovated and expanded San Francisco Museum of Modern Art (SFMoMA), there’s currently a first-rate design exhibition that offers examples of important, game-changing innovation, including the first Apple Macintosh computer from 1984. This one appears to be in mint condition.
We’re fans of German visual artist Gerhard Richter, perhaps best known for his “capitalist realism” and his photo-realistic and “blur” paintings. But Richter has explored several distinct visual styles and themes throughout his career. Among his body of work are his “color” (“farben”) paintings, such as this one titled “Farben 256” we saw recently on view at the San Francisco Museum of Art.