We recently started seeing a random few of these wheat-paste street art images of a young, Jackson 5-era Michael Jackson appearing on walls around downtown Manhattan. But then this past weekend, these seemed to multiply exponentially and appear everywhere, from the Lower East Side to Brooklyn’s Greenpoint. In the LES, we counted dozens of the “Young MJs” on Ludlow Street alone. These Young MJ wheat-pastes are the work of a mysterious New York-based “celebrity stylist” and artist who goes by the moniker “UnCasso” (a.k.a., “UnCuttArt”). The “Young MJs” come in a variety of colors . In some cases, as pictured below, a single, larger image is composited with several pieces in different colors. Needless to say, we love ‘em. This isn’t the first time the “King of Pop” has inspired street art.
New York artist Bradley Theodore strikes again with a new piece of street art in New York’s Lower East Side. Continuing with his series of images depicting fashion-world celebrities as impressionistic, colorful skeletons, Bradley has painted this full-body portrait of style icon Nick Wooster on a door to the popular downtown bar-club-restaurant Hotel Chantelle on Ludlow Street.
“Talk 2000″ is a reproduction of the set of a popular German television talk-show art project hosted by late artist and filmmaker Christoph Schlingensief. It’s currently on view at MoMA P.S.1 in Queens, New York.
One of the highlights of Frieze NY 2014, the juggernaut art fair launched by London-based art magazine Frieze, was a crushed Fiat car coated in pink nail polish. The artwork is titled “Skin Crime 3″ by Swiss artist Sylvie Fleury, and it was installed next to a giant mirror-like old-school Gilette razor blade titled “Blade” (of course). We’re a fan of Fleury’s ouevre, which explores themes of consumerism, shopping, fashion, luxury, beauty and marketing, often in striking vivid, colorful installations.
The innovative, popular and charitable shoe-making company Toms has recently opened a coffee roaster and cafe in an airy bungalow that doubles as a concept store in the fashionable Abbott-Kinney neighborhood of Venice, in Los Angeles.
A declarative fashion-edict cliche “Minskirts are Back” is painted in a cartoonish, woodsy typeface on this storefront roller shutter on the Bowery south of Delancey in New York’s Lower East Side. This is one of many street art pieces on storefront shutters along the Bowery commissioned as part of a local art project started by the new Museum of Contemporary Art a few years ago.
In the past week or so, artist Dylan Egon has been putting up these awesome, cheekily sinister wheat-paste street art cut-outs of Disney’s iconic Mickey Mouse character as a gun target around downtown Manhattan. The one pictured here is on Broome Street in SoHo. Absolutely brilliant.
This past Friday we went out to Rough Trade New York in Williamsburg, Brooklyn, for a performance by Swedish indie-electronic duo I Break Horses. The band were joined by a live drummer and in spite of some old-school analog-synth equipment needing reboot during the show, they sounded great in Rough Trade’s perfect cavernous performance space.
Pictured here is a super-fresh street art wheat-paste illustrated image of a boy with a Kalashnikov automatic rifle by artist “Teacake” on Ludlow Street in New York’s Lower East Side. As we’ve mentioned in previous postings over the past year or so, the short stretch of Ludlow Street just south of Grand Street is gradually evolving into a fertile “street art gallery.” It’s perfectly suited as a canvas for street art given that on each side of the street is a window-less, door-less 20-meter-long wall, sides of a buildings that face each other.
We were on the “J”-line subway train Sunday on our way from a surfing day at Far Rockaway, Queens, back to our HQ in downtown Manhattan when this woman boarded the subway car in Brooklyn with a beautiful Linux fixie bike.
A couple of weeks ago, we stumbled upon the magnificent “RGB Colorspace Atlas” (Volumes 1, 2 & 3) by New York-based California artist Tauba Auerbach at LACMA in Los Angeles. The artwork contains paper-page cubes and a book or “atlas” of digital offset prints of all the possible color variations in the RGB color model system. The work was recently acquired by LACMA as part of its permanent collection. We’re hearting it very much.
When we first saw this large street art piece by artist Serban Ionescu and David Nordine on Ludlow Street in New York’s Lower East Side in June 2013, they were literally watching the paint dry as they put finishing touches on their roller-shutter mural. At the time, the art work was shadowed and partially obscured by construction scaffolding, as their painting was on a building that was in the throes of renovations that would turn it into luxury condos. The scaffolding was taken down a couple of weeks ago allowing the work to be viewed anew in direct, natural light. We revisited the work and it looks awesome, as seen in the photo below. You can check it out in person on Ludlow Street between Grand and Hester streets in the LES.
Every time we’re in Los Angeles, we try to make a point of visiting the Los Angeles Country Museum of Art (LACMA) and seeing “Band,” the humongous abstract sculpture by artist Richard Serra, in the museum’s Broad Contemporary building. From a distance, some viewers initially believe the massive artwork is made of wood, bit it’s made of oxidized, waterproof steel components connected to form a giant ribbon occupying an entire gallery (half the first floor) at the Broad.
“ME TV” is a photography book collected and edited by Thomas Sauvin and Erik Kessels that presents an obscure, mysterious collection of found photos in the format of an actual, ordinary photo album. The book has been published in a limited edition of 300. The photos in the book show a Chinese woman in her sixties standing next to a TV somewhere in China in the 1980s. In each picture, the TV, the setting, and her pose (her left pinky always sticking out ) remain the same, but her clothes are different and there are slight variations in saturation hue and the angle and distance of the camera to the subject. Why these pictures were taken and who took them is a mystery. The publishers have spent years hunting down and publishing found photography (also called “vernacular photography”), images found in the personal photo albums of strangers and amateurs discovered at flea markets, libraries, garage sales and on the Internet. These are mostly photos never intended for aesthetic consideration by a wide public audience.