New York City Chinatown has a high volume of small truck traffic ferrying goods to and from the many small warehouses, wholesalers and workshops that call the neighborhood home. Many of these trucks have elaborate graffiti art pieces, like this one we caught turning the corner at Ludlow and Grand streets in the Lower East Side.
We recently spotted this truck painted with a graffiti art homage to Oscar the Grouch on West 47th Street in New York’s Hell’s Kitchen neighborhood. The trash can-dwelling Oscar is one the iconic group of puppet characters from the long-running and popular children’s television series Sesame Street. Graffiti and street artists have often made made use of characters from pop culture, as in this example inspired by South Park.
Pix here at the scene of artists putting the final spray-paint touches on a mural honoring punky New York hip-hop greats the Beastie Boys and one of its late members, MCA (Adam Yauch). The graffiti artwork is at the intersection of Rivington and Ludlow streets in the heart of New York’s Lower East Side, and at the site of what was once — long before the neighborhood was gentrified — a low-rent clothing shop called Paul’s Boutique. A photograph of the store appears on the album cover of the Beastie’s classic 1989 album titled “Paul’s Boutique.” The shop has long since closed, and a series of cafes and restaurants have occupied the premises over the years with the subsequent waves of gentrification.
“Monsieur ‘A'” (a.k.a., “Mr. ‘A’) by the Paris-based Swedish-Portuguese street-art pioneer Andre makes a long overdue appearance in downtown New York City upon a construction hoarding covering a storefront on Lafayette Street in SoHo. Welcome back to New York, Andre!
Literally within 24 hours of our previous post about the blank black-painted wall on Ludlow Street (“the Ludlow Street Art Gallery”) in New York’s Lower East Side, somebody took a spray-can to the wall and tagged it in a large silver-paint scrawl of graffiti in the crudest way. It would be awesome to actually see some real art instead. But the graffiti signifies the first volley returned after the wall was repainted a day earlier in the ongoing cat-and-mouse game of what the wall looks like.