One of our current projects here at Global Graphic is a music collaboration turned band called Aloha Death. We’ve just released our second tune! It’s called “Shibuya” (Yay!!!) and you can find it now on iTunes, Spotify, Pandora, etc.
The cat’s out of the bag! It’s true, some of the Global Graphica squad are musicians. In fact, they (we) are musicians who write songs and record those songs too! We’ve been loosely collaborating for a while now on music for various projects, but have now officially formed a band.
The name of this musical outfit is Aloha Death. The music and sound is mostly electronic with an artsy, indie vibe and some hip-hop beats and guitars thrown in here and there and some danceable tunes too. We’ve just released a single. It’s called “Sea of Fog” and you can find it now on iTunes, Spotify, Pandora, etc.
In 1988, the artist Jeff Koons created the brilliant porcelain sculptural object “Michael and Bubbles,” a kitschy, super-sized 3D depiction of late man-child and mega-pop-star Michael Jackson and Bubbles, his famous chimpanzee pet-as-sidekick.
Michael and Bubbles were kind of like best friends for a while. Human and chimp as pals. Cross-species buds. Besties. BFFs way before BFF was even a term that would be abbreviated. Continue reading
The hyper-aesthetically single-minded and stylistically dialed-in guys who started Lone Wolfs (sic), a surf shop and brand in Los Angeles, are also musical creative types with bona fide pedigrees in music composition and production for big-brand advertising campaigns.
Behind their Venice surf shop, there’s a full-blown recording studio. It’s called Wolf at the Door. And it is sick, dope, boss, fire, Bible, lit AF, etc.
We recently got a private tour and chance to spend some quality time appreciating the studio spaces filled with musical instruments, mixing boards, gadgetry, gear and good lighting. We were enraptured in the presence of such a cool and fun space.
We won’t lie, savvy reader, we did indeed experience many emotions upon feasting our eyes on this studio.
One feeling welled up most strongly: Lust. We were wholly possessed by a powerful urge to just pick up guitars, turn on amps and start making sounds, leaning hard into indulgent audio-file ecstasy.
Just look at these pictures we posted here (below)! LOOK! Don’t these just make you want to start a band right now?!?!?
“I don’t play a musical instrument and I can’t sing,” you plead.
What? Are you kidding?!?! That’s no excuse. It doesn’t matter. Start that fucking band right now! Do it!
During our annual Mew Year’s House-cleaning ritual we uncovered these two toy mini-figures of DJs. We love (and are slightly disconcerted by) how angry one of them looks. The headphones and eyeglasses are a nice touch. The look reminds us of early 2000s and the late “electronic” era. We bought these years ago at Toy Tokyo, a specialty toy and model shops in the East Village of New York.
The British jazz-pop singer Sade can be counted in the Pantheon of 1980s music icons. Her music videos for songs like the “The Greatest Taboo” and “Smooth Operator” were a staple of MTV (back when MTV entire programming consisted of music videos).
She is among several influential 1980s pop-cultural icons depicted in street art portraits by Los Angeles artist Alex Ali Gonzalez. This mural of Sade pictured here is in the Arts District near Downtown Los Angeles.
Pix here at the scene of artists putting the final spray-paint touches on a mural honoring punky New York hip-hop greats the Beastie Boys and one of its late members, MCA (Adam Yauch). The graffiti artwork is at the intersection of Rivington and Ludlow streets in the heart of New York’s Lower East Side, and at the site of what was once — long before the neighborhood was gentrified — a low-rent clothing shop called Paul’s Boutique. A photograph of the store appears on the album cover of the Beastie’s classic 1989 album titled “Paul’s Boutique.” The shop has long since closed, and a series of cafes and restaurants have occupied the premises over the years with the subsequent waves of gentrification.
This past Friday we went out to Rough Trade New York in Williamsburg, Brooklyn, for a performance by Swedish indie-electronic duo I Break Horses. The band were joined by a live drummer and in spite of some old-school analog-synth equipment needing reboot during the show, they sounded great in Rough Trade’s perfect cavernous performance space.