We saw this cool street-artsy mural portrait of the Japanese artist Yayoi Kusama in Santa Barbara, California, while visiting there this past Monday. Kusama is a major international art star who has blown up the past few years as blockbuster exhibitions of her artwork and installations have popped up in art museums around the world and collaborations with brands like Louis Vuitton have made her work more visible to a broader, global audience. That said, we were a bit surprised to see her portrait in a town like Santa Barbara. Which got us wondering, in 2018 have we reached “peak” Kusama? The answer is, yes. Maybe. If not this year, then perhaps next.
We stumbled upon this commissioned mural by the Los Angeles-based artist who goes by the moniker “Bumble Bee Loves You” in the corporate office space for an anonymous entertainment/film production company near West Hollywood.
Artist Zoe Leonard’s 2016 public art project under the Standard Hotel building on the High Line in New York City was a powerful political statement. It’s titled “I Want a President” and it was originally created in the 1990s in response to that era’s political climate in NYC. It was installed as a massive page of text on the High Line to coincide with the 2016 presidential election and 2017 inauguration of the Trump presidency. But it is all the more potent and relevant today in 2018 as it was a year ago or twenty years ago. Few artists so far have been able to voice the frustration, resistance and anger at the current states of governance and leadership in the U.S. in as captivating a way and on such a grand scale as this. Read the full text of the artwork via this PDF.
“Now I’m Going to Tell You Everything” is the title of this site-mural at the recently opened Institute of Contemporary Art, or ICA, in Los Angeles. The painting is by L.A.-based artist Sarah Cain, and it fills what otherwise might be an unremarkable empty dead space in an exterior courtyard in an unremarkable strip of anonymous industrial buildings in the city’s Arts District. The ICA (the renamed and relocated former Santa Monica Museum of Art) re-makes the space, makes it “remarkable” as does Cain’s massive and energetic mural. The artwork is best viewed in the early daylight hours when the sun directly illuminates it and supercharges the colors.
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Text by Van Corsa
Imagine. You’ve made it. Went to school. Got a job in a tech start-up. Paid off your student debt. Moved to Los Angeles. L.A. Then you got a tech job at another start-up. In Venice, a.k.a., “Silicon Beach.”
That start-up made an app and it got big real fast. You made a shitload of money. Then you MOVED to Venice. Rents insane. Then you BOUGHT in Venice. You found a condo around the corner from fashionable, beautiful and gentrified Abbot Kinney Blvd. Prime real estate. Primo location, bro! Expensive.
This condo, it wasn’t just any condo. Because you’re not just any Silicon Beach scrote. You’re not just another sartorially-challenged techie slacking in basic, comfortable fashion. You are more than just a dude with a closet full of hoodies and New Balance sneakers and the full quiver of video game consoles.
The British jazz-pop singer Sade can be counted in the Pantheon of 1980s music icons. Her music videos for songs like the “The Greatest Taboo” and “Smooth Operator” were a staple of MTV (back when MTV entire programming consisted of music videos).
She is among several influential 1980s pop-cultural icons depicted in street art portraits by Los Angeles artist Alex Ali Gonzalez. This mural of Sade pictured here is in the Arts District near Downtown Los Angeles.
We just learned that her new mural has now been completed and the artist has posted a photo (below) of the new artwork on her socials.
The precise location of Maya’s new mural was a bit of a mystery, but we can now confirm that it is in a space at the new Google Flatiron pop-up at 5th Avenue and 16th Street in NYC’s Flatiron neighborhood.
Ok. That is all. Now back to your regularly scheduled weekend.
… More details to come, but here’s a pic from Maya of the work in progress.