Cacti, like the illustrated tri-color cactus pasted onto this dumpster, dot Southern California’s natural desert landscape from Coachella to Mexico to the coastline of Santa Barbara and e eruwhete in between. So it’s fitting that street art depicting this resilient desert plant would dot the urban landscape of Los Angeles. The one on the dumpster in the pic above is in LA’s Arts District, an area that until recent gentrification was a kind of urban desert.
In her body of work, Los Angeles artist Liz Craft has created some fascinating and evocative sculptural objects that have death and the human form at the thematic center. In fact, a couple of notable works from her that have been shown in Los Angeles museums the past year have “death” in the title. One is the powerful and darkly comic “Death Rider,” recently on view at the Hammer Museum and pictured in this post. The other exhibitied last year at LACMA is “Death of a Clown,” which you can see here.
The collection of buildings that make up the Pacific Design Center is a bold, massive landmark of West Hollywood, in Los Angeles. Better known to Angelenos perhaps than the outside world, the PDC has aged remarkably well since the first of its buildings was completed in 1975. The building complex is visually striking and unmissable in its unusual use of primary colors and the asymetrical shapes of the buildings and their arrangement. The architecture was conceived by Argentine architect Cesar Pelli and the PDC seems as fresh a presence as any more recent and contemporary buildings in the area.
Love is a recurring theme of a lot of street art. And often it’sin its simplest, plainest, most straightforward expressions that resonates with viewers. JGoldcrown’s widely Instagrammed “Lovewall” comes to mind, as does Casey Kulig’s globally-spread “Love Me” meme. “Love Me Anyways” is painted on sidewalks and walls in a handwritten-style of lettering that exposes some personality in the artist. The example pictured above was found in the Arts District in Downtown Los Angeles.
The ever-gentrifying Arts District in Downtown Los Angeles is home to lots of large-scale street art, including this classic Shepard Fairey politically-tinged mural on Alameda Street behind the Angel City Brewery. The artwork depicts the late U.S. president Ronald Reagan holding a sign that says “Legislative influence for sale.” Its message — and politically expressive art in general — strongly resonates in the current American political climate.
This 2007 sculptural object by artist Jimmie Durham is a bold assemblage of red oil drums, canvas, acrylic, PVC and an old wooden boat the artist found in Lisbon, Portugal. The title “L’essence” is the French word for gasoline. The boat seems to be afloat atop the metal oil barrels. The artwork is currently on view at the Hammer Museum in Los Angeles, part of a retrospective of Durham’s work.