This massive painting by Japan’s most successful and well-known contemporary artist Takashi Murakami is displayed in the primest spot of the Broad Museum in Los Angeles. It’s huge. It’s epic. It’s unmissable. Anyone entering the museum’s main galleries, where the core selections from the permanent collection are exhibited, will see it as they arrive from the lobby, whether they come via escalator, elevator or a stairway.
We love this type of street art, the kind that takes a mundane, boring piece of “street furniture” — in this case an electrical utility box — and uses it as canvas for something aesthetically interesting, beautiful and evocative. This painting in Venice, in Los Angeles, uses elements of collage, illustration, graphic design and fashion, as well as a liberal use of striped patterns, to create a bold and fresh interruption of suburban visual landscape.
We’re not “into cars” nor have we aspired to possess a stylish sports car. That said, we love great design and if somebody wanted to give us a Porsche 912 like the one pictured here, we wouldn’t say “No.” In fact, we would lovingly care for it and fully appreciate its beautiful form. A variant of the iconic 911 — a vehicle dubbed the “car of the century” back in the ’90s — the 912 was manufactured from 1965 to 1969 and originally outsold the 911. From appearances and body, the 912 and 911 would appear to be the same vehicle. But subtle differences exist under the hood that translate into the car performing differently and selling at different basic prices. We don’t know much about cars, but from what we’ve been told by our friends who do is that one fundamental difference between the two models was that the 912 had a 4-cyclinder engine compared to the 6-cyclinder of the 911. What strikes us most though are the aesthetics of the car’s design, a compact, elegant and curvy, if mildly sexy shape that seems to be unburdened by any superfluous volume or form. The one pictured here is in mint condition. We spied it parked overnight in a lot adjacent to some light-industry warehouses in Los Angeles. The next day it was at the same spot and we took a moment to photograph it in the afternoon light.
This large stencil street art mural on a fence in Venice, in Los Angeles, depicts the late actor-artist Dennis Hopper as he appeared in the film “Apocalypse Now.” Hopper was a resident of Venice Beach, his home just a few blocks away from the location of this artwork.
We spotted some new street art from artist Shepard Fairey in an unusual spot last week. Along Pacific Coast Highway, under the towering bluffs of north Santa Monica, there’s an abandoned, partially destroyed retaining wall where two new black-and-white graphic posters had been wheat-pasted. One poster is of draped triangle of the American flag. The other is a classic “Andre” Obey poster.