We never tire of revisiting this minimalist masterpiece by artist Robert Irwin at LACMA in Los Angeles. The colorful installation of fluorescent lights has a permanent home in a large ground-floor gallery at LACMA’s Broad Contemporary building. The title of the artwork is “Miracle Mile” and it is specific to its location.
The museum is on Wilshire Blvd. at the heart of an area named Miracle Mile, which was originally planned as an alternative urban district to Downtown LA in the 1920s. Wilshire eventually became one of LA’s main east-west traffic and business corridors and the “mile” area has since become a kind of “museum row” for the number of other large galleries and museums nearby.
Irwin’s artwork, in its length, geometry and brightly illuminated presence, is a visual metaphor for the commercial strip and aptly is displayed on a wall that faces and runs parallel to Wilshire Blvd itself. A long floor-to-ceiling window in size and proportion similar to the artwork separates the gallery from the boulevard and makes “Miracle Mile” a kind of symbolic mirror.
This colorful flurourescent-light sculptural object at San Francisco MoMA is a minimalist classic by the late artist Dan Flavin. Regular visitors to GlobalGraphica may have noticed that we’re suckers for minimalism (it’s true). Works like this really appeal to our sense of a lean, clean, pared aesthetic and the power of empty space. Like much of the work that marked the latter and better-known part of his artistic career, Flavin’s SF MoMA installation makes use of readymade materials — tubes and fluorescent lights — and is composed within site-specific architectural spaces.