Well it’s late Apple Computer co-founder and visionary Steve Jobs, of course. As the father of the much-loved iPod, iPhone, and iPad, Job’s legacy is a kind of ubiquitous presence in our daily lives whether or not we actually own and use an Apple device. iPhones are everywhere. Jobs’ iconic image is the basis of a rash of new street art popping up in downtown New York and Brooklyn this past week by the NYC-based artist who goes by the moniker UnCasso (a.k.a., UnCuttArt). The artworks are illustrated renderings of the photo by acclaimed Scottish photographer Albert Watson, and printed on heart-shaped paper in various colors and wheat-pasted to walls.
This sweet abstract-geometric mural on Eldridge Street in New York’s Lower East Side is a commissioned street art piece by NYC-based artist Jason Woodside. His work has become part of New York City’s landscape in a series of massive mural projects for the New Museum, British ad agency Mother NY, and at restaurants such as Galli, Rippers and Roberta’s Pizza, as well as in collaborations with Obey Clothing and patrons like Mister Spoils.
This roller-shutter street art depicts a multitude of Homer Simpsons (of “The Simpsons” animated TV series) in a state of free fall. The artwork is by the artist who goes by the name Jerkface and can be found on Eldridge Street, between Houston and Stanton streets in New York’s Lower East Side.
We recently started seeing a random few of these wheat-paste street art images of a young, Jackson 5-era Michael Jackson appearing on walls around downtown Manhattan. But then this past weekend, these seemed to multiply exponentially and appear everywhere, from the Lower East Side to Brooklyn’s Greenpoint. In the LES, we counted dozens of the “Young MJs” on Ludlow Street alone. These Young MJ wheat-pastes are the work of a mysterious New York-based “celebrity stylist” and artist who goes by the moniker “UnCasso” (a.k.a., “UnCuttArt”). The “Young MJs” come in a variety of colors . In some cases, as pictured below, a single, larger image is composited with several pieces in different colors. Needless to say, we love ‘em. This isn’t the first time the “King of Pop” has inspired street art.
Pix here at the scene of artists putting the final spray-paint touches on a mural honoring punky New York hip-hop greats the Beastie Boys and one of its late members, MCA (Adam Yauch). The graffiti artwork is at the intersection of Rivington and Ludlow streets in the heart of New York’s Lower East Side, and at the site of what was once — long before the neighborhood was gentrified — a low-rent clothing shop called Paul’s Boutique. A photograph of the store appears on the album cover of the Beastie’s classic 1989 album titled “Paul’s Boutique.” The shop has long since closed, and a series of cafes and restaurants have occupied the premises over the years with the subsequent waves of gentrification.
In June, Tokyo Bike opened one of it’s minimalist bicycle shops on the Bowery, in New York City’s Lower East Side. The location is prime and puts the shop square in the heart of downtown’s art, culture and style scene: The New Museum is across the street, fashion photographer Terry Richardson’s studio is down the block, Helmut Lang is a few doors down the street, and dozens of art galleries and hip boite dot the surrounding border area where the LES meets Nolita.
It’s the first stateside store of the independent Japanese bike brand, and currently it’s only planned as a summer pop-up store. But depending on public reception and sales this summer, the company may be opening a permanent home in the city in the near future.
Tokyo Bike’s bicycles are designed in Japan, built (like most of the world’s bikes) in Taiwan, and designed with the concept of “slow” urban cycling, where the experience of an easy-going bike ride in the city trumps concerns for speed and high-performance. That said, TB’s bikes are remarkably light (perfect for carrying up and down the stairs of an NYC tenement apartment building) and styled with an understated, elegant minimalism.
New York artist Bradley Theodore strikes again with a new piece of street art in New York’s Lower East Side. Continuing with his series of images depicting fashion-world celebrities as impressionistic, colorful skeletons, Bradley has painted this full-body portrait of style icon Nick Wooster on a door to the popular downtown bar-club-restaurant Hotel Chantelle on Ludlow Street.
The phrase “I need a Miracle” is the latest cryptic message to appear on the billboard on the side of building at the northeast corner of Delancey and Orchards streets in the heart of New York City’s Lower East Side. Previous messages have included “I can’t grow up,” and at other times the ad-space has been filled with commissioned original artwork. The billboard is a playful art-space run by the creative agency Wallplay, which also uses the retail space in the building to which the billboard is attached.
Literally within 24 hours of our previous post about the blank black-painted wall on Ludlow Street (“the Ludlow Street Art Gallery”) in New York’s Lower East Side, somebody took a spray-can to the wall and tagged it in a large silver-paint scrawl of graffiti in the crudest way. It would be awesome to actually see some real art instead. But the graffiti signifies the first volley returned after the wall was repainted a day earlier in the ongoing cat-and-mouse game of what the wall looks like.
Artist Magda Love is back in New York City with some wild-posting of her illustrated-graphic street art. This retro-cassette tape wheat-pasted art piece by Magda went up Wednesday morning (Tuesday night?) on Ludlow Street, in that stretch just south of Grand Street we’ve dubbed the “Ludlow Street Art Gallery” in the Lower East Side.
A declarative fashion-edict cliche “Minskirts are Back” is painted in a cartoonish, woodsy typeface on this storefront roller shutter on the Bowery south of Delancey in New York’s Lower East Side. This is one of many street art pieces on storefront shutters along the Bowery commissioned as part of a local art project started by the new Museum of Contemporary Art a few years ago.
Pictured here is a super-fresh street art wheat-paste illustrated image of a boy with a Kalashnikov automatic rifle by artist “Teacake” on Ludlow Street in New York’s Lower East Side. As we’ve mentioned in previous postings over the past year or so, the short stretch of Ludlow Street just south of Grand Street is gradually evolving into a fertile “street art gallery.” It’s perfectly suited as a canvas for street art given that on each side of the street is a window-less, door-less 20-meter-long wall, sides of a buildings that face each other.