Tag Archives: las vegas

Hot Mess

“Hot Mess” is the title of an artwork by Doug Aitken that features a beautiful photograph showing an aeriel view of the Las Vegas strip at night.  The image is displayed as a back-lit circular framed object mounted to the gallery wall. At the center of the photo, just above the bright lights of the city, is the title of the artwork in a standard serif font.

There’s humor in this artwork, one of dozens currently on view as part of the artist’s massive retrospective exhibition “Electric Earth” at the Museum of Contemporary Art, a.k.a., MOCA, in downtown Los Angeles. “Hot Mess” is part of series of circular photographic works that marry text and image in intriguing and ironic ways. In the case of this piece, the words evoke and connect several notions about Las Vegas.

Vegas is a unique and strange city among America’s big cities, and for that matter it’s unlike any city in the world in ways that are both obvious and not-so-obvious. As a tourist  in the unlikeliest of geographical places, Vegas has traded on its image of being home to several forms of legalized vice, and an image of moral laxity when it comes to this. Gambling, partying, hotel resort travel, and various types of adult entertainment (in addition to entertainment in general), plus a slew of massive trade shows and conventions, and flamboyant, whimsical architecture — all in the middle of the desert — make the city singular and a kind of “mess” culturally and symbolically.

The term evokes the idea of somebody or a thing that is scattered, disorganized, troubled and possibly pathological. Vegas can seem like that. And much like a freshly spewed pile of vomit — for which the term “hot mess” can also be applied — reeking on the pavement steps from its source, a drunken college student who’s chugged too many Jager shots at a strip club, Vegas is very much like that, too. But, hey, that’s only one facet of this multi-faceted metropolis.

And yet, it has its own beauty. Seen from afar, like many cities and in the photo in Aitken’s artwork, Vegas appears like a glittery jewel, a Milky Way galaxy of neon and LED coalesced into a distant blur of energy, enterprise, and urbanized humanity. From a distance, un-vomit-like.