Along Pacific Coast Highway, across from famed Malibu Beach and its iconic pier, is this amusing life-size stencil street art of a cat’s silhouette on a brick wall. The feline is depicted in mid-stride at sidewalk level as if casually padding down the pavement in search of the next meal. Next to the cat is the stenciled message “only fools litter.”
We recently popped into the Rag & Bone store on Abbot Kinney Blvd. in Venice, in Los Angeles, to try on this paired of white leather sneakers. These shoes are as plain and minimalist as can be. We love ’em.
This large stencil street art mural on a fence in Venice, in Los Angeles, depicts the late actor-artist Dennis Hopper as he appeared in the film “Apocalypse Now.” Hopper was a resident of Venice Beach, his home just a few blocks away from the location of this artwork.
We spotted some new street art from artist Shepard Fairey in an unusual spot last week. Along Pacific Coast Highway, under the towering bluffs of north Santa Monica, there’s an abandoned, partially destroyed retaining wall where two new black-and-white graphic posters had been wheat-pasted. One poster is of draped triangle of the American flag. The other is a classic “Andre” Obey poster.
Alongside Interstate 10, otherwise known at the Santa Monica Freeway, there’s a massive mural by street-art star DFace on the side of a multi-storied parking structure in the West Adams area near Downtown Los Angeles.
Here’s another one of those Vegan Club wheat-pasted street art posters that have been popping up all over Los Angeles and New York. The posters have a guerla-marketing quality and are usually two-toned single color prints of a pop-cultural icon rendered in high-contrast. The one pictured here is on a utility box on the pavement off Sunset Blvd. in Silver Lake, in Los Angeles. There seem to be tons of these in Silver Lake and neighboring Echo Park.
It seems like on just about every block and around every corner in Venice’s clashed-up grid of narrow streets and alleys, there’s a piece of street art by artist Jules Muck. His awesome corpus of public artwork is both literally and figuratively part of the Venice landscape, as much a part of this confused suburban costal paradise as its famous beach boardwalk. “Muck Saves” is a Christ-like portrait and play on the evangelical bumper-sticker phrase “Jesus Saves.” One could argue that Muck’s art is “saving” Venice. But from what? The tide of gentrification? That urban-renewal process inspired by association with Venice’s edgy patina and legacy of gritty charms. A process that’s simultaneously forever sanding away those gritty edges with the moneyed tastes of the arrivistes? Yes and no. Places change, evolve, grow. It can’t be “saved” any more that it can not be saved. Muck’s work is just a beautiful part of an already beautiful landscape.