Tag Archives: la

SIGN OF THE TIMES: LAIDBACK SURFER HAND GESTURE GETS A SPICY UPDATE

“Shaka” or “Shaka, brah!” Maybe you’ve heard this expression. Maybe you’ve uttered those words in earnest salutation or ironically. Maybe you’re a core surfer living on the North Shore of Oahu, Hawaii, and these words are your go-to, standard form of salutation. You use it all time without even really thinking about it. (For example, when you stride into Ono’s in Haleiwa for a pork sandwich, you offer a shaka to staff at the counter.)

In any case, the word “shaka” and its utterance are but only part of the communications protocol here. Those words are said with an accompanying hand gesture that might be more familiar to many readers than the words. 

The shaka hand gesture, sometimes referred to as the “hang loose” sign, is similar to the “devil horns” gesture associated with heavy metal music. But with the shaka, the pinky finger and thumb are extended outward from the palm while the index, middle and ring fingers are bent down into the palm.

With fingers configured as such, the hand is then raised or extended and often given a little back and forth wiggle or shake, a motion functioning like a wave of the hand, to emphasize and visibly highlight the message to its intended audience.

The gesture is one of positivity. It’s loved by most surfers but also loathed by some surfers, hence the use of the “ironic shaka.” The shaka is undeniably a part of surf culture and has its modern usage and cultural origins in the birthplace of  surfing: Hawaii.

But culture and its symbols evolve. The shaka in the pic above is part of a two-page graphical spread in the zine Can’t Steal Our Vibe that show the gesture altered as a mash-up with the standard “f*ck you!” middle finger gesture.

In this new versions, the extended pinky of the shaka is pulled in, and the middle finger is extended. On first try, it’s not an easy gesture to make with natural fluidity, compared to the shaka.

But no matter. It’s what the gesture means that’s important here. And what does it mean? That’s the beauty of it: For now it’s subject to interpretation. And if the creators have a denotation for it, its esoteric.

We love  that the “F-You-Shaka” hybrid brings together the insouciance, anger and insult of the middle finger with the friendly, laidback “everyone’s a bro” vibe of the trad surfer shaka. These are opposing sentiments and may confuse.

The mashup, we think, is more ironic and captures even more accurately the contemporary core of surf culture: Its rebel semiotics and its knowing cues and tribal codes.

Can’t Steal Our Vibe, BTW, is a zine published occasionally by Lone Wolfs (sic), a surf brand and shop and music studio in Venice, Los Angeles, that uses the new “F-You-Shaka” as a kind of logo on stickers. The title of the zine is taken from a graffiti-like, spray-painted message written on a panel that covered a door that had been shattered in an attempted burglary at Lone Wolfs in 2016. The shop has also spray painted the phrase as a tagline on the side of the store.

KICKS: GIANT FOOT STICKING OUT FROM ROOF OF HOLLYWOOD STORE “TOO INSTAGRAMMABLE”

Can something be too Instagrammable? That is the question, savvy reader. Our initial thought is, “Yes, yes something can be. ‘Too Instagrammablity’ (TI) is a thing.”

But then, upon further consideration, doubt creeps in, and we wonder further, “What does ‘too Instagrammable’ even mean?” It’s a binary, yes-or-no issue in terms of whether anything is Instagrammable at all. It either is or isn’t. And really, anything is Instagrammable by virtue of anybody taking a picture of something and posting it to Instagram. Continue reading

SIZE MATTERS: EPIC 82-FOOT LONG MURAKAMI PAINTING STEALS SPACE FROM OTHER ARTISTS

This massive painting by Japan’s most successful and well-known contemporary artist Takashi Murakami is displayed in the primest spot of the Broad Museum in Los Angeles. It’s huge. It’s epic. It’s unmissable. Anyone entering the museum’s main galleries, where the core selections from the permanent collection are exhibited, will see it as they arrive from the lobby, whether they come via escalator, elevator or a stairway.

So exactly how big is this painting? And what’s it called? Continue reading

PAINTERLY: SARAH CAIN’S MASSIVE MURAL AT ICA FILLS EMPTY DEAD SPACE

“Now I’m Going to Tell You Everything” is the title of this site-mural at the recently opened Institute of Contemporary Art, or ICA, in Los Angeles. The painting is by L.A.-based artist Sarah Cain, and it fills what otherwise might be an unremarkable empty dead space in an exterior courtyard in an unremarkable strip of anonymous industrial buildings in the city’s Arts District. The ICA (the renamed and relocated former Santa Monica Museum of Art) re-makes the space, makes it “remarkable” as does Cain’s massive and energetic mural. The artwork is best viewed in the early daylight hours when the sun directly illuminates it and supercharges the colors.

. . .

ロサンゼルスの現代美術研究所のSarah Cain芸術家による壁画。この作品のタイトルは、「今、私はあなたにすべてを伝えようとしています。

DRIVEN TO ABSTRACTION: THE INCREDIBLE DEPTH OF ELLEN GALLAGHER’S “BLACK” PAINTINGS

These paintings by artist Ellen Gallagher speak to us in deep, immediate, profound ways. The black abstractions of these canvases are beguiling in their darkness and textures. They change hue and tone as the viewer inches closer to the artwork and the reflection of light off the surface of oil paint brightens and reveals previously unseen layers of shape and color. These are on view at the Hauser & Wirth Gallery in Los Angeles’s Arts District. Another one of her “black” paintings is on display as part of the permanent collection of the Broad Museum a few blocks away in Downtown Los Angeles. The artwork pictured here is titled “Kapsalon Wonder.”

HAIRY: WHEN YOUR PERSONAL MODE OF TRANSPORT NEEDS A HAIRCUT

You are looking at this photo and you’re thinking “WTF?” Maybe you’re even mouthing the letters as you think them, a just barely audible sound escaping between your lips.

Maybe you’re vocalizing the question with the actual words instead of the initialism: “What the F*ck?!?!” with an emphasis on the last word. (Assuming you’re at work, your co-workers are glancing towards you for a half-second after you utter this.)

All of these are proper, reasonable responses to the subject of the photo pictured here: A hairy, furry beach-cruisey bicycle parked at the bike rack at the popular Superba restaurant in Venice, Los Angeles.

This hirsute bicycle is either a large fashion accessory, a sartorial lifestyle statement piece extended to one’s transport and/or an art project. Perhaps there’s some functionality — the ride is somehow “softer” (?).  Perhaps it’s all these things. In any case, it looks as if Chewbacca took the form of bike and sprayed Sun In all over his over-follicled body. Amaze.

CITY LIFE: BIRD MURAL RUINS OTHERWISE COLD, SLEEK, OVERPRICED MINIMALIST CONDO & PERFECTIONIST LIFESTYLE

Text by Van Corsa

Imagine. You’ve made it. Went to school. Got a job in a tech start-up. Paid off your student debt. Moved to Los Angeles. L.A. Then you got a tech job at another start-up. In Venice, a.k.a., “Silicon Beach.”

That start-up made an app and it got big real fast. You made a shitload of money. Then you MOVED to Venice. Rents insane. Then you BOUGHT in Venice. You found a condo around the corner from fashionable, beautiful and gentrified Abbot Kinney Blvd. Prime real estate. Primo location, bro! Expensive.

This condo, it wasn’t just any condo. Because you’re not just any Silicon Beach scrote. You’re not just another sartorially-challenged techie slacking in basic, comfortable fashion. You are more than just a dude with a closet full of hoodies and New Balance sneakers and the full quiver of video game consoles.

Continue reading

LUST: A VISIT TO “LONE WOLFS’” LOS ANGELES MUSIC STUDIO

The hyper-aesthetically single-minded and stylistically dialed-in guys who started Lone Wolfs (sic), a surf shop and brand in Los Angeles, are also musical creative types with bona fide pedigrees in music composition and production for big-brand advertising campaigns.

Behind their Venice surf shop, there’s a full-blown recording studio. It’s called Wolf at the Door. And it is sick, dope, boss, fire, Bible, lit AF, etc.

We recently got a private tour and chance to spend some quality time appreciating the studio spaces filled with musical instruments, mixing boards, gadgetry, gear and good lighting. We were enraptured in the presence of such a cool and fun space.

We won’t lie, savvy reader, we did indeed experience many emotions upon feasting our eyes on this studio.

One feeling welled up most strongly: Lust. We were wholly possessed by a powerful urge to just pick up guitars, turn on amps and start making sounds, leaning hard into indulgent audio-file ecstasy.

Just look at these pictures we posted here (below)! LOOK! Don’t these just make you want to start a band right now?!?!?

“I don’t play a musical instrument and I can’t sing,” you plead.

What? Are you kidding?!?! That’s no excuse. It doesn’t matter. Start that fucking band right now! Do it!

LOVE: ELI BROAD’S DECADES-LONG LOVE AFFAIR WITH BASQUIAT

Among the vast art collection of billionaire businessman, philanthropist and art collector Eli Broad is a large collection of artworks by the late, great artist Jean-Michel Basquiat. Pictured here are a handful of those Basquiats currently on view at the eponymous Broad Museum of Art in Los Angeles. (Note that our camera is broken and you’ll seen round, blurry shadow in the lower left of each image. Sorry! We guess it’s time for a new iPhone X!).

Broad is one of the biggest art collector sin the world  and has one of the world greatest private art collections, especially of contemporary art and post-modern and pop art. Most of it at his museum in LA. 

Broad was one of the early collectors of Basquiat and has many of the artist great works. You could call it a keen eye for a great artist and great artwork. And you could call it a love affair.