Tag Archives: la

SEEN: MASSIVE CONTEMPORARY ART EXHIBITION AT MOCA CREEPY AF! AND WE LOVE IT!

Some will hate it. Some will love it. Many will be confused. More to the point, it’s creepy AF! But “The Theater of Disappearance,” a recently opened exhibition by the Argentine artist Adrian Villar-Rojas at the MoCA Geffen Contemporary in Los Angeles, is a stunning, ambitious, intriguing and unsettling show on a massive scale and must be seen. Or rather, it must be experienced. The exhibition amounts to a giant art installation of geological and human cultural artifacts presented in some post-human future. Villar-Rojas presents stark vision of humankind’s legacy that is fascinating and terrifying.

PINKISH: PORTRAIT OF ROBED ELEPHANT-HUMAN STREET ART BEFUDDLES PASSERSBY

Street art often provides many unanswered questions, not only about the artwork itself, but also who created it. There’s seldom clear authorship for most street art and usually no contextual information about the artwork or artist in the way there is for in a museum of gallery. That can make it difficult to attribute the artist or read the artwork, though that’s also part of the allure of street art.

Continue reading

CONFUSION: “ART-NOT-ART” STREET ART

A funny thing about “art.” Sometimes the happiest of aesthetic accidents happen as a consequence of totally non-artistic impulses.

Take as prima facie example the case of the roller-shutter pictured above. It’s on a warehouse-factory building in the rapidly gentrifying Downtown Los Angeles neighborhood dubbed the Arts District. It’s a beautiful building, a grand structure standing as testament to L.A.’s glorious former industrial past.

Continue reading

TECHNOLOGY: STREET ARTWORK LITERALLY “PHONY”

An electric utility box along Sunset Blvd. in Silver Lake, in Los Angeles, has been painted as an old-school public pay telephone. See pic below.

From a distance you might be fooled into thinking you were spying a real pay phone, albeit a questionably larger-than-life-size one. But, of course, it’s fake, a phony — literally a “phony” in the original sense of the word.

The painting is cartoon-like, but accurate in its rendering of the design and details of the phone. The real public pay phones were once common in cities around the United States, but have all but completely disappeared from American life.

The artwork is a cute and clever reminder of how quickly technology has changed and how physically pervasive and visible it can be in our lives.

As by-product of the explosive growth and adoption of cellphones, and later smartphones, over the past two decades is the erasure of pay phones from the urban landscape.

CULT OF KAWAII: WHEN STREET ART “GETS CUTE” WE ALL SUFFER

 

Look, savvy reader! Look at the photo above!

See that tiny wheat-pasted street artwork of a poodle-like canine waltzing down the pavement seeming to give zero fucks but in a totally oblivious, entitled way?

Ahhhhh …. cuuuuuuuuute, right?!?!? 

Look again, look carefully. Is that a dollop of poop nonchalantly emanating from the butt of this kawaii canine? It is! It must be! Wow, this cartoon pup really does give zero fucks.

Ahhhhh …. cuuuuuuuuute, right?

Well, we’re not buying it. This is just a little too cute (or as Japanese high-school girls love to squeal: Kawaiiiiiiiiiiiiiiii”). And frankly this is even a little too cute for the Los Angeles Arts District where this pic was snapped.

Sure, the poop is a touch of insouciance and whimsy we can appreciate here at Global Graphica. Clearly this artwork was something not executed without thought. (Notice how that dollop of poop has its own shadow!!!!)

And we like how the artwork was posted at the eye level of a small rodent. (The artwork actually is the size of a small rodent — less than a foot long. It shows that the artist is, as corporate HR specialists like to say, “detail oriented.”

That aside, this kind of cuteness is too easy and a kind of artistic crutch. We want our street art to be bolder, grittier, heavier, more epic, aesthetically nuanced and more serious about message.

What is this artwork trying to say? Pick up your dog’s shit? That everybody has to poop, even the most beautiful and haughty little bitches? (For the record, the word “bitches” is used here in the scientific sense to mean “gender-female dog,” and not used in the often misogynistic hip-hop sense).

With this kind of cute, we suffer. You, us, everybody — even the artist — suffers. Yes, the struggle is real.

 

PASSIVE AGGRESSIVE: STENCIL STREET ART ATTEMPTS WRY SOCIAL COMMENTARY ON SMARTPHONE USE

 

We were were recently walking down the street in the Arts District near Downtown Los Angeles (a.k.a., DTLA).

We were upbeat, bright-eyed, walking with a spring in our step, as one might say, practically skipping along the pavement and doing this all while scrolling through the email inbox on our battered iPhone, firmly en-gripped in our right hand. (BTW, we just made up that word “en-gripped,” which we think perfectly captures the idea of holding a phone while walking.)

That’s when we almost didn’t notice the nearly life-size stenciled silhouette of a lean, badly-postured man on the sidewalk ahead of us. See pic above.

This figure was staring down at his smartphone (sure, probably an iPhone, but, you never know, it could be a Droid — you’d be surprised sometimes that there are actually some non-iPhone smartphone users out there — Yes, even in the Arts District! Amazing, we know).

He seemed so engaged with his smartphone that he was missing out on all the stuff going on around him on the street. He was missing out on life, on living, and stuff that didn’t involve touch-screens and apps icons and likes and getting things done and working remotely and sending important work-related messages and viewing urgent texts about deadlines and budgets.

He was missing out on important non-important stuff, like missing out on all the awesome street art all around.

We took a pic of this.

Then we went back to scrolling through the email inbox on our battered iPhone and went on our merry way.