For years we would see the wheat-pasted artwork of artist Spazmat posted around downtown New York City. His posters were unmissable. His street art was comprised of an iconic image: An illustrated portrait of a skeleton with a cell phone in its bony hand held up to the skull as if talking on the phone. The posters were usually rendered in a stark white on black. Informally dubbed as “Skull Phone,” the image suggested many things, among these the dangers of technology. We hadn’t seen Spazmat’s artwork in many years until we recently spotted one of his skull phone wheaties on a utility box along Pacific Coast Highway in Los Angeles. This one was printed in blue and white with a striped design, almost nautical in style and fitting for its location a few meters across the road from the ocean.
Murals of iconic Disney cartoon character Minnie Mouse recently have been popping up at locations of the hip Alfred Coffee in Los Angeles. The one pictured here is at the third-wave coffee chain’s Studio City cafe. Minnie is shown standing in a cloud of polka dots, for which she is known. At her heels is the hastag #rockthedots. The murals are part of a recent Disney promotional campaign and collaboration with various brands that strategically coincides with National Polka Dots Day (it’s real … who knew?!?!?).
These repeated black-and-white “Deface This” and “Not Norml” (sic) posters of new U.S. President Donald Trump are funny political commentary and an invitation to a form of participatory art and creative activism. We’ve being seeing these pop up around Los Angeles the past week or so. The ones pictured here were on a utility box on Sunset Blvd. in L.A.’s hip Silver Lake neighborhood.
British-born artist Jules Muck (a.k.a., “Muckrock“) painted a portrait of recent U.S. Democratic presidential primary candidate Bernie Sanders on the side of a white van, seen in the photos here parked on a residential side street in Venice, Los Angeles.
Muckrock’s street art and murals are a fixture of the LA’s westside landscape, especially in the neighborhoods around Venice Beach, where the artist lives. There’s also a bird painted next to Bernie on the van, but the significance of the small winged creature escapes us. That only the head of Sanders was painted — aside from the bird — and that the van is like a blank canvas, serves to further draw the viewer in and focuses attention on the subject.
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UPDATE UPDATE UPDATE: A Global Graphica reader pointed out the significance of the bird in this artwork. It’s a reference to “birdie sanders” and an incident in early 2016 when then presidential candidate Sanders was giving a campaign speech and a small bird landed on his podium. We remember the event, but admit we totally missed this reference when we saw this street art!!! This helpful reader also pointed out that the bird depicted in the artwork is a White-crowned Sparrow, not the same type of bird that landed on Bernie’s podium. (Many thanks, Jerry!)
On another note, another reader pointed out that this mural brings another layer to the literal meaning of the word “VANdalism.” Hahaha.
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Here’s another one of the many “Bleeding Hearts” murals in Los Angeles by British artist JGoldcrown’s also called “Lovewall.” The one pictured here is near trendy Abbot Kinney Blvd. in Venice. The background color of these murals is usually white, and this one was until recently when it was repainted with a black background instead. Fresh.
This wheat-pasted street art of two dogs is awesomely colorful and cute. It’s also tiny, smaller than the palm of a hand. It’s miniature street art, which is cool. But it would be even cooler if it was the size of a small building, because the artwork itself is beautifu and could have such great impact at a larger scale. The artwork is in an alley behind Abbot Kinney Blvd. in Venice, Los Angeles.