Tag Archives: la street art

STREETSY: IS NEW BLACK-AND-WHITE PHOTO STREET ART BY JR OR JR WANNABE?

Hey, you know JR, right? The French street artist who has become something of a worldwide phenom over the past decade?

Yes, that JR. The one who takes black-and-white photos of people, their faces, close-ups of their eyes and mouths, and then prints them up at massive, mega-blown-up scale and wheat-pastes them on the sides of entire buildings, on the roofs of houses and on the sides of trains.

Yes, that’s the JR we’re talking about.

Well, that JR is the subject of some local speculation with regards to a recent work of street art that appeared on fashionable Abbot Kinney Blvd. in Venice Beach. See pic above.

Or, rather, the speculation is about who put up this street art. It has all the makings of “a JR.” But is it? Is it some other artist? Is it a JR wannabe? A copycat?

And who is the subject of this artwork? Is it, as one commenter on our Instagram feed asked, a photo of octagenarian French filmmaker Agnes Varda?  The face, the eyes and the haircut — especially the haircut — have all the makings of Varda.

These are questions we want answers to, savvy reader. And we have answers! 

The art was put there by JR (or by his assistants / minions / 3rd-party contractor). The image is of Agnes Varda. It’s placement and timing are not an accident.

As some of you savvy readers may already well be aware, JR and Varda collaborated on a documentary film project called “Faces Places.” The film was a critical success and garnered a 2018 Academy Award nomination. The street artwork appeared around the time of the Awards ceremonies in March, which, of course, are held each year in Los Angeles. Varda herself was awarded a Lifetime Achievement Award by the Academy last year.

So there you have it.

(Uh, BTW, follow us on Instagram! We’re @globalgraphica )

NEEDS: A PALM TREE WEARING SUNGLASSES, RIDING A SKATEBOARD

Needs. We all have them. And who doesn’t need a “shady palm.” That is, a palm that just doesn’t provide shade, but wears shades. A palm tree that sports sunglasses. 

What more could one want? Well, sun-protection eyewear aside, we need a palm tree that can handle a skateboard. A palm that can shred the boardwalk and the skate park.

This small, cartoony wheat-paste street art is a cute visual pun. The artist is New York City-based artist Raddington Falls, a.k.a., “RAD.” Find “Shady Palm” on Abbot Kinney Blvd. in Venice, Los Angeles.

Check out more of RAD’s work on this website.

PUMPIN’: STREET ART WITH LOTS OF HEART

We love coffee. You probably do too. But we REALLY love coffee. It’s actually kind of a problem, and, though we may try to curtail our consumption from time to time, we will probably never give it up. Caffeine is a drug.

This addiction has driven us to go above and beyond in seeking out good espresso. Over the past three or four years we’ve visited the cafes, coffee roasteries, and espresso bars of almost every significant purveyor of freshly brewed third-wave coffee in Los Angeles, New York, Amsterdam, and Tokyo. 

In Los Angeles, one of the relatively newer players in the local coffee situation is Alfred Coffee. From its beginnings in L.A.’s fashionable Silver Lake neighborhood a few years ago, it has sprouted several branches.

The most recent outpost is in Beverly Hills and like the Silver Lake cafe, it’s decorated with a mural by British artist JGoldcrown and one of his “Lovewall” (a.k.a., “Bleeding Hearts”) murals. Goldcrown’s street art pieces have popped up all around the City of Angels in the past couple of years.

Goldcrown’s heart-filled street artworks can be found on buildings from Santa Monica and Venice on the the city’s beachy far west  side, to the Valley, to Silver Lake and the Downtown Arts District on the east, and now in between, in one of the poshest neighborhoods in the world.

Each “Lovewall” is a rectangle of cartoony, roughly-drawn heart shapes in various colors. Some are outlines of hearts, others filled in. The effect is like that of a casual array of doodles scrawled out of boredom on a high-school student’s notebook.

These hearts are often on a white background, but recently the artist has created versions on a black background or with words written into the field of hearts. The new mural at the new Alfred Coffee in Beverly Hills is yet another variation. It’s on a pink background, which is the most evocative — and our favorite — color yet.

Goldcrown’s “Lovewall” murals are on the road to becoming iconic landmarks. In Beverly HIlls, it will make it easier to spot the new Alfred Coffee as you navigate Santa Monica Blvd. traffic in search of a stylish flat white with almond milk and an extra shot of espresso. Like we need that extra shot. (We do.)

UNBEARABLE LIGHTNESS: AWESOME “BUMBLE BEE LOVES YOU” INVADES OFFICE

We stumbled upon this commissioned mural by the Los Angeles-based artist who goes by the moniker “Bumble Bee Loves You” in the corporate office space for an anonymous entertainment/film production company near West Hollywood.

 

CITY LIFE: BIRD MURAL RUINS OTHERWISE COLD, SLEEK, OVERPRICED MINIMALIST CONDO & PERFECTIONIST LIFESTYLE

Text by Van Corsa

Imagine. You’ve made it. Went to school. Got a job in a tech start-up. Paid off your student debt. Moved to Los Angeles. L.A. Then you got a tech job at another start-up. In Venice, a.k.a., “Silicon Beach.”

That start-up made an app and it got big real fast. You made a shitload of money. Then you MOVED to Venice. Rents insane. Then you BOUGHT in Venice. You found a condo around the corner from fashionable, beautiful and gentrified Abbot Kinney Blvd. Prime real estate. Primo location, bro! Expensive.

This condo, it wasn’t just any condo. Because you’re not just any Silicon Beach scrote. You’re not just another sartorially-challenged techie slacking in basic, comfortable fashion. You are more than just a dude with a closet full of hoodies and New Balance sneakers and the full quiver of video game consoles.

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NOSTALGIA: STREET ART HAS NO SHAME FOR MEMORY LANE

The British jazz-pop singer Sade can be counted in the Pantheon of 1980s music icons. Her music videos for songs like the “The Greatest Taboo” and “Smooth Operator” were a staple of MTV (back when MTV entire programming consisted of music videos). 

She is among several influential 1980s pop-cultural icons depicted in street art portraits by Los Angeles artist Alex Ali Gonzalez. This mural of Sade pictured here is in the Arts District near Downtown Los Angeles.

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TROPE-A-DOPE: STREET ART IMAGE OF DOG IN VENICE INSANELY UNORIGINAL (OR STREET-ART TROPES: A PRIMER)

There is street art. There are cliches. And there are street-art cliches (SAC). That said, we think “trope” is the better suited word here rather than the word “cliche.” So, “street-art trope.” (SAT, of course). There are street art tropes! There is, dare we use the term, “tropey” street art. There we said it.

“What are some of these street-art tropes?” you ask, savvy reader? That’s a fair question, if ever there was. There are a few broad categories and types. But the most obvious type, if most flagrant, is the use of cheery pop-cultural icons, often cartoon characters, juxtaposed with some very un-cheery and serious imagery, like a gun.

There’s practically a formula matrix you can follow to create this kind of street art. For example … Continue reading

OBEY: THE WABI SABI OF OLD SHEPARD FAIREY STREET ART POSTERS

Like a vintage wine, some street art ages remarkably well. Others not so well.

Take for example most wheat-paste street art posters like the one pictured here in Venice, Los Angeles, by artist Shepard Fairey (see all Shepard Fairey posts). It’s classic Fairey. 

But it’s showing its age. It’s worn, fading, and a little tattered from the elements. Although the physical integrity of artwork has degraded, it’s actually made the poster more interesting in a way that’s similar to the way patination on a bronze statue gives it more character or the way a pair of Japanese RPM selvedge denim jeans develop a distinct shape, fade and crease when worn everyday and left unwashed for a year.

Part of street art’s magic is that it’s ephemeral. It comes and goes. It disappears. And part of that ephemerality is seeing it age, bearing witness to its slow destruction.

As Fairey’s Venice Beach poster continues to come apart and fade, it’s takes on a new aesthetic. It becomes more beautiful as it degrades and loses the perfection of it’s original state. The artwork is humbled by the elements and by time. Yet it remains a remarkable image and retains the unconventional nature inherent in art that’s “in the streets.”

Looking at it this way is like the Japanese concept of wabi sabi. And yet the core image persists on the landscape, provoking thought , remaining a subject of appreciation.