Amid the labyrinthine back streets that comprise Ura-Harajuku are many examples of commissioned semi-legal street art in little niches of spaces. This artwork is on a wedge of dividing wall between the Ships clothing store and an adjacent building.
The optics and media of Japanese political election campaigns are fascinating for their restraint and orderliness. Campaign posters for the various politicians are put up in designated places in local neighborhoods and often in clusters, like the ones pictured above in Tokyo’s fashionable Naka-Meguro area. The politicians each appear in posters that are basically all the same size and visually tame. In short, as outdoor billboard advertising goes (what ad industry people call “out of home” or OOH advertising), these election posters are a relatively unobtrusive part of the cultural landscape.
Japan has a long-established, globally recognized and highly-developed sense of aesthetics, especially when it come to design and graphic communications like advertising. This large indoor billboard poster for Coca-Cola at Ark Hills Tokyo references the Japanese summer tradition of hanabi (massive fireworks displays) as beautiful flat, abstract graphics.
This example of street art by French artist Invader in Tokyo is probably one of the best we’ve seen in recent months. The pixelated Space Invader videogame icon here has been created on a larger scale than most of the mosaic artworks Invader has put up around the Japanese capital and elsewhere around the world. We found this one in the quiet cool-kids neighborhood of Naka-Meguro.