Salt Fish Surf Co is a surfy boutique in Venice, in Los Angeles, run by the effusive and friendly French surfer Romaine Goudinoux, who designs and sells branded t-shirts, caps, accessories, and leather-and-fabric surfboard bags hand-crafted in Mexico. But, to be clear, his small second-floor store is not a surf shop. In fact, Salt Fish hardly feels like retail space at all, but rather a beautiful shabby-chic, hipster-surfer living room (dubbed “La Casa Saltfish“). It’s fillwd with Mexican blankets and rugs and a few surfboards propped up amid a tiny selection of merch for sale. The space and vibe is so cozy and chill that you don’t ever want to leave.
We stumbled upon this commissioned mural by the Los Angeles-based artist who goes by the moniker “Bumble Bee Loves You” in the corporate office space for an anonymous entertainment/film production company near West Hollywood.
The hyper-aesthetically single-minded and stylistically dialed-in guys who started Lone Wolfs (sic), a surf shop and brand in Los Angeles, are also musical creative types with bona fide pedigrees in music composition and production for big-brand advertising campaigns.
Behind their Venice surf shop, there’s a full-blown recording studio. It’s called Wolf at the Door. And it is sick, dope, boss, fire, Bible, lit AF, etc.
We recently got a private tour and chance to spend some quality time appreciating the studio spaces filled with musical instruments, mixing boards, gadgetry, gear and good lighting. We were enraptured in the presence of such a cool and fun space.
We won’t lie, savvy reader, we did indeed experience many emotions upon feasting our eyes on this studio.
One feeling welled up most strongly: Lust. We were wholly possessed by a powerful urge to just pick up guitars, turn on amps and start making sounds, leaning hard into indulgent audiofile ecstasy.
Just look at these pictures we posted here (below)! LOOK! Don’t these just make you want to start a band right now?!?!?
“I don’t play a musical instrument and I can’t sing,” you plead.
What? Are you kidding?!?! That’s no excuse. It doesn’t matter. Start that fucking band right now! Do it!
A few months ago we posted on the phenomena of shops and restaurants upgrading their space with the simple act of adding a surfboard as decorative object or artwork to that space. Many pix were included in the post as examples of this trend. This past weekend we discovered yet another example at a casual seafood restaurant in Newport Beach, California called Bear Flag (killer fish tacos, btw). There, mounted on the wall, is a beautiful, vintage single-fin longboard surfboard with the restaurant’s California-inspired Bear Flag logo laminated onto the bottom of the board.
It’s no secret that we here at Global Graphica are fond practitioners of surfing, the so-called Hawaiian “sport of kings.” After contemporary art and good espresso, surfing is our other true obsession.
So on our recent road trips up and down the SoCal coast in search of waves, we stopped in the seaside city of San Clemente, the self-proclaimed “Spanish village by the sea” and a hotbed of surfing and surf culture in south Orange County. There we popped into the Album surfboards shop for the first time to see for ourselves the brand’s famously beautiful and well-designed boards.
We didn’t expect that the shop itself would be as beautiful as those boards. In fact, as we approached the entrance to the minimalist storefront, we were in the hottest of a hot secs stopped in our tracks.
We stood, slacked-jawed and wondered, “Are we in the wrong place? This must be the office of an architecture firm, surely? Or perhaps a day spa designed for the publishers of Wallpaper magazine?”
It was none of those things, savvy reader! It was a surf shop. It was the Album surfboards shop.
We had found surfing’s Holy Grail: An aesthetically-pleasing retail experience ensconced in sophisticated, minimalist architectural design. Our hearts fluttered.
Most surf shops, ya see, they … well, they suck, aesthetically speaking. Most surfboard shapers and brands suck, aesthetically speaking. (As people, they’re awesome; They don’t suck.) But most of them have no taste.
And this bothers us, savvy reader. It tears at our souls. Album, however, has restored our faith.
Question: Have you ever had a dream where you were in your favorite fast-food dining establishment and suddenly it starts flooding?
Have you ever entertained the thought “Wouldn’t it be cool if Burger King got flooded?”
Is it — or has it ever been — your burning desire to see a KFC deluged to the rafters?
Have you wondered aloud (or in private, for that matter) what it would be like if McDonalds was overrun with a rushing torrent of H20?
You have? (Uh, really, you have?). Ok.
Well, guess what, kids, the short film “Flooded McDonalds” is for YOU!
Created by artist collective Superflex, “Flooded McDonalds” documents the flooding of what appears to be an actual, operational McDonalds restaurant.
At first the restaurant is shown as totally ghosted, dry and in its ordinary state but devoid of customers and staff, as if everyone who was there suddenly rushed off in a panic. There are still trays of food on tables and just-prepared burgers in wrappers in the kitchen.
Then slowly we see a little bit of water seeping through under a door. Over the next ten minutes or so the water rises, as we anticipate and bear witness to the various affects of the water on the restaurant’s interior.
Chairs get moved around, a ubiquitous Ronald McDonald statue is lifted by the tide and eventually gets toppled and ends up floating aimlessly. Some things sink, some things float. A pot of coffee still filled to the brim moves like a bouncy submarine through the flood waters. Cash registers and backlit signs short circuit.
The film is mesmerizing, strangely compelling, and positively droll. At times, it is laugh-out-loud funny, though there there are no jokes.
In fact, the film has no dramatic music, no dialogue, no explanation, nothing but the arrival of more water into what is actually a faithful and convincing reproduction of a working McDonalds restaurant.
“Flooded McDonalds” is entertaining with a nod and a wink. And it is absolutely and truly, to use a favored expression of critics everywhere, “thought-provoking.”
It forces the viewer to ask questions, and not just the kinds of “They call that ‘art’?”- or “What the hell is that?”-type questions that the non-art-appreciating rubes from the sticks would ask.
No, no, you, savvy reader, are pondering thoughtful questions like What the fuck does this say about globalization or the impacts of massive corporations on the environment? Or something like that.
The film draws viewers in with the familiar. The “golden arches” of the McDonalds logo are among the few graphic symbols easily grasped by almost every living human on the planet.
This locks in your attention and forces you the viewer to consider the impending disaster. You know what’s coming, but how exactly it’s going to unfold is the burning question on everybody’s mind.
Eventually, the McDonalds is submerged and destroyed by the deluge, which has now become a filthy stew of flotsam and half-sunken debris. The film captures the event from various camera angles, including from under the water.
This may be art and as such a fiction, but we can only imagine that what we see in the film is how it recently must have played out in real-life in places like Houston, Texas, which experienced massive flooding as a result of Hurricane Harvey and where no doubt there are many McDonalds.
“Flooded McDonalds” was first exhibited in London in 2010, but the film is now showing on a loop at the Hammer Museum of Art in Los Angeles and you can watch an edited behind-the-scenes version online below. GO SEE IT!
The space at Daydream Coffee and Surf in Costa Mesa, California is great, but it’s missing a few things that would make it perfect: A bed, a TV, and a set of keys to the space with our name on it.
We love Apartamento magazine. And so should you. The new issue of this mag devoted to “everyday interiors” and design/designers just arrived at our local purveyor of printed matter and it looks gooooooooood!
Mollusk is the wonderful name of a wonderful surf shop in Venice Beach, Los Angeles. It’s one of three such shops – the others are in San Francisco and the LA neighborhood of Silver Lake. These locations should tell you a lot about Mollusk. There’s a willfully underplayed and potent hipster factor at work here, and the shop has got a reputation for being intimidatingly cool for a certain subset of young adult and teenage surfers, who can sometimes be found lingering outside, tentative before entering this small but influential shrine of good-taste surf retail. (Clearly these kids have issues, but, hey, that’s on the kids, right?)
Mollusk is no ordinary surf shop and thank god for that, because comparatively speaking most shops suck in their seen-one-you’ve-most-certainly-seen-them-all ordinariness. Mollusk has fucking style. The gang that run it have taste, grit, and a keenly curated collection of hand-shaped surfboards. This taste extends to the decor and the artwork of the shop, like the painting pictured below of an unbearably cute if freakish half-furry creature and half-neoprene-clad humanoid surfer smoking a pipe while cruising a wave. The artwork is in the surfboard loft of the Venice shop, and it speaks thick volumes about Mollusk’s style.
This decorative installation artwork at the Converse concept store in Santa Monica, in Los Angeles, is a spooky and clever visual conceit. At a distance and without the context of the store, the viewer would likely be unable to perceive that the artwork is comprised of hundreds of Converse sneakers in various monochromatic shades. Up close, the viewer might fail to perceive that the composition of the sneakers forms a creepy human skull-like image. It’s briliant, if a little dark, but edgy and totally “on brand” for the fashion shoe company.
The Parisian clothing and retail brand A.P.C. recently opened a shop in Silver Lake in Los Angeles. Like may of this French fashion label’s stores, whether it’s in Tokyo, Paris or New York, this new LA outpost has its own distinct interior design aesthetic, different from all the other A.P.C. stores, yet inscrutably “on brand” in its warm minimalism.
A.P.C. stores embrace the constraints and quirks of the space they occupy and subtly absorb the character of the surrounding neighborhoods they’re in. At the Silver Lake store, the tiered shelving system is the foremost feature of the space. It’s a piece of architecture in and of itself within the shop space, built in smack in the center of the store and easily eating up much of the architectural footprint. Customers can walk through it.
The plain distilled earthiness of the wood suggests a casual, clean organic aesthetic in sync with the Southern California “canyon spirit” style, but the thin bars of LED lights augment this with a restrained hint of the Hollywood glamor. All in all, it sweetly aligns with the the clothing brand’s style of fashion.
We recently went to a series of meetings at a creative agency in Southern California. The walls of the conference room where the meetings were held were covered in wheat-paste street art. Most of the artwork was boldly illustrated black-and-white poster cut-outs of hand-drawn graphics in a comic style. Our favorite was a large graphic of a masked Mexican “lucha libre”-style wrestler. The artwork gave the conference room a lot of energy and a sense of fun, while showcasing the tastes of the company’s creative team.
. . .
The cafe at Menotti’s Coffee is a third-wave espresso joint and a friendly little hub for the legion of caffeinated locals and a certain stylish subset of Silicon Beach worker bees in the heart of Venice in Los Angeles. The baristas are serious about their coffee game but with zero pretension, in spite of the smattering of hipster accoutrements. Sure, there’s a skateboard and fixed-gear bicycle propped against a wall inside the cafe, and there’s beautiful, curated art photography on the wall, but its presence seems more a natural byproduct of taste than strategic. Across from the cafeteria is the famous, epic-scaled Venice “Touch of Evil” mural. On a slow day, we’ll cruise over to Menotti’s on our bikes for a long break and a flat white cappuccino.
Menotti’s Coffeeはロサンゼルスのヴェネツィアで “Silicon Beach”で働くスタイリッシュな若者やカフェ、親しみやすい小さなエスプレッソバーです。 カフェバリスタはコーヒーについて真剣です。 彼らにはプレテンションはありません。 しかし、彼らはヒップスターです。 もちろん、カフェの中にはスケートボードと固定式の自転車があります。 壁に美しくキュートな芸術的な写真があります。 これはメノッティスタイルの例です。 カフェの通りを渡って、有名な、壮大なサイズのヴェネツィア「Touch of Evil」の壁画があります。 私たちが忙しくないとき、仕事から休みを取って、メノッティに自転車を乗せて、美味しいフラットホワイトのカプチーノを飲むことにします。
Among our favorite places in Los Angeles is the Arcana bookstore in Culver City. It’s specialized in “books on the arts,” and its collection of books on art, design, photography, architecture and anything aesthetically significant is vast, comprehensive, and well-organized. They seem to have everything. Though Arcana is a business, its ambiance, interior design and space give it a feel that’s more like a library, albeit a handsome, spare, minimalist, post-modern library in a former industrial space. There are long communal tables upon which customers can lay heavy tomes of art and page through these books at a leisurely pace. It’s one of the best bookstores in the world. If GlobalGraphica was an actual place, Arcana would be our preferred physical manifestation of it, though with a kick-ass espresso machine and a rack full of surfboards included.
The work space at the Los Angeles offices of mega-global advertising agency TBWA (a.k.a, TBWA Chiat Day) is epic and includes an indoor, park-like plaza where people can meet, hang out, collaborate, or dine. (Full disclosure, we do work for another, separate ad agency that is related to TBWA.) The space is bathed in natural light from large skylights and is part of a massive warehouse-like former industrial building that was converted into a warren of multi-level interior office structures, bridges and open spaces reconcieved for the agency culture and work style.
We recently attended a small talk with the co-founder and editor of Apartamento magazine, Omar Sosa. The talk was at one of the creative marketing companies run by mega-global advertising agency TBWA in Los Angeles. Sosa (pictured at right in the photo above) with Emilien Crespo, the talk moderator at the agency, spoke at length about how he and his designer friends started Apartamento in Barcelona in 2008 and how the magazine has grown and developed a devoted, almost cult-like, global readership.
We’ve been picking up copies of Apartamento since the first time we spotted it on the rack at the McNally-Jackson Bookstore in New York City way back in 2009. Part of what sets the magazine apart is its documentation of what it calls “everyday interiors.” Rather than showing slick images of pristine, carefully-staged, aspirational living spaces in the tradition of many commercial “shelter” mags, Apartmento shows the spaces of various creators in their cluttered, lived-in, natural glory and in a more intimate photographic style.