The Parisian clothing and retail brand A.P.C. recently opened a shop in Silver Lake in Los Angeles. Like may of this French fashion label’s stores, whether it’s in Tokyo, Paris or New York, this new LA outpost has its own distinct interior design aesthetic, different from all the other A.P.C. stores, yet inscrutably “on brand” in its warm minimalism.
A.P.C. stores embrace the constraints and quirks of the space they occupy and subtly absorb the character of the surrounding neighborhoods they’re in. At the Silver Lake store, the tiered shelving system is the foremost feature of the space. It’s a piece of architecture in and of itself within the shop space, built in smack in the center of the store and easily eating up much of the architectural footprint. Customers can walk through it.
The plain distilled earthiness of the wood suggests a casual, clean organic aesthetic in sync with the Southern California “canyon spirit” style, but the thin bars of LED lights augment this with a restrained hint of the Hollywood glamor. All in all, it sweetly aligns with the the clothing brand’s style of fashion.
The cafe at Menotti’s Coffee is a third-wave espresso joint and a friendly little hub for the legion of caffeinated locals and a certain stylish subset of Silicon Beach worker bees in the heart of Venice in Los Angeles. The baristas are serious about their coffee game but with zero pretension, in spite of the smattering of hipster accoutrements. Sure, there’s a skateboard and fixed-gear bicycle propped against a wall inside the cafe, and there’s beautiful, curated art photography on the wall, but its presence seems more a natural byproduct of taste than strategic. Across from the cafeteria is the famous, epic-scaled Venice “Touch of Evil” mural. On a slow day, we’ll cruise over to Menotti’s on our bikes for a long break and a flat white cappuccino.
The flagship store of cosmetics brand Hourglass is a testament of exemplary, beautiful retail design. The shop is located on trendy Abbot Kinney Boulevard near Venice Beach in Los Angeles, and the space is so “on brand” that the experience of the space feels like part of the product itself in ways similar to that the aesthetic minimalism of an Apple store and iPhone.
As regular readers of Global Graphica know, we’re fans of Apartamento magazine. We always get excited when we see a new issue hit the newstands. It’s one of those rare periodicals these days that is almost exclusively a print experience; There’s an Apartamento website but it’s a mere presence. The magazine’s contents are only fully digestible in the actual printed edition of the magazine itself.
The current issue has been out for a few months already, but we just delved back into it while doing a little research and we got excited by it all over again. The issue looks great and features an interview and photos of artist Raymond Pettibon at home in his apartment in the new Frank Gehry “New York” building in downtown New York. Back in the day, Pettibon (pictured on the cover, below) created — among many other things — the iconic black-bars logo for the seminal American punk Black Flag .
The main dining space at Room Service in New York’s Hell’s Kitchen. Room Service is probably the most beautiful, sparkly and glamorous casual-neighborhood-type Thai restaurant in New York City or anywhere.