Cacti, like the illustrated tri-color cactus pasted onto this dumpster, dot Southern California’s natural desert landscape from Coachella to Mexico to the coastline of Santa Barbara and e eruwhete in between. So it’s fitting that street art depicting this resilient desert plant would dot the urban landscape of Los Angeles. The one on the dumpster in the pic above is in LA’s Arts District, an area that until recent gentrification was a kind of urban desert.
The artwork of Australian-Iraqi artist Toba Khedoori leaves a distinct impression. Her works are primarily finely detailed, photo-realistic pencil drawings in monochromatic lead or color on massive sheets of waxed paper. The drawings tend to be focused on discrete, single objects set in a vast emptiness — a chair, a fence, a door — or a piece removed from its larger architectural context — rows and rows of seats from a theater or, as in the example pictured here, a fireplace. It’s one of a series of drawings of fireplaces currently on view as part of her solo show at LACMA in Los Angeles. The drawing has a trompe l’oeil quality but has none of the cheap gimmickry of that anachronistic decorative conceit. Looking at the drawing from afar, it appears as if there’s an actual fireplace recessed into the gallery wall.
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これらの大きくて、詳細で、現実的な図面は、オーストラリア – イラクの芸術家トバ・ケドゥリ氏によるものです。 これらはロサンゼルスのLACMAで展示されています。
We recently went to a series of meetings at a creative agency in Southern California. The walls of the conference room where the meetings were held were covered in wheat-paste street art. Most of the artwork was boldly illustrated black-and-white poster cut-outs of hand-drawn graphics in a comic style. Our favorite was a large graphic of a masked Mexican “lucha libre”-style wrestler. The artwork gave the conference room a lot of energy and a sense of fun, while showcasing the tastes of the company’s creative team.
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We’ve seen these mysterious circular stickers of a boy’s face around Los Angeles in recent weeks. The face is drawn in a style that reminds of the graphic novels of Charles Burns. There’s something a little creepy about the face. The eyes are beady and suggest evil thought. The stark blue-on-black drawing adds to the layer of darkness and intrigue. Send us a note if you know who the artist behind these stickers is or the story behind them.
Surfer magazine has boldly introduced its new, artsier design and wider format with this stark black-and-white cover illustration in a style reminiscent of late children’s book creator Maurice Sendak. The illustration is inspired by the theme of this month’s issue, “addiction” (as in, “addicted to surfing”).