One of our current projects here at Global Graphic is a music collaboration turned band called Aloha Death. We’ve just released our second tune! It’s called “Shibuya” (Yay!!!) and you can find it now on iTunes, Spotify, Pandora, etc.
The cat’s out of the bag! It’s true, some of the Global Graphica squad are musicians. In fact, they (we) are musicians who write songs and record those songs too! We’ve been loosely collaborating for a while now on music for various projects, but have now officially formed a band.
The name of this musical outfit is Aloha Death. The music and sound is mostly electronic with an artsy, indie vibe and some hip-hop beats and guitars thrown in here and there and some danceable tunes too. We’ve just released a single. It’s called “Sea of Fog” and you can find it now on iTunes, Spotify, Pandora, etc.
Yes, savvy reader, it’s true. Almost everybody’s favorite Seattle, Washington-based, international speciality-coffee chain has a design flaw in its familiar, if not ubiquitous, mermaid logo.
Can you spot it? Do you see it? What is it? Look closely at the logo. (And c’mon now — don’t Google the answer! We dare you not to! We double dare you!)
Got the answer?
Ok, spoiler alert, here it is: The logo is round and symmetrical. That’s not the flaw. It was supposed to be perfectly symmetrical, but it isn’t. The right side of the mermaid’s nose has more shadow. This was actually intentional. So, in our opinion, you can’t really call this a “flaw.” (But Adweek and others have called it a flaw.)
When the perfectly symmetrical version of the logo was reviewed, the designers felt that the mermaid looked to cold and lacked humanity. Adding that extra shadow on one side made all the difference in making the logo that bit warmer and friendlier.
Suddenly, we want to find the nearest Starbucks, use the restroom there, and then maybe buy a coffee. Or at least ask for a cup of water.
This shit for real, y’all. Coca-Cola, the global mega-brand and carbonated soft drink, is getting a slightly new look. It’s changing the typeface used in all its branding and design to a new, bespoke font. It’s big news, so sit down and take moment, if you need one, savvy reader.
It’s the first time in Coke’s 130-year history that the brand has created its own font. The new typeface is called TCCC Unity (see examples of it above and below). Continue reading
Our annual New Year’s ritual of doing some house cleaning and organizing, throwing things out and making room for all the stuff we got as Xmas gifts, yielded this small trove of matchbooks and matchboxes. We must have picked up these from various restaurants and shops because the designs struck us in some way at the moment we saw them. Each design is distinct and an exercise in branding. These matches are from the New York City outpost of the restaurant Mission Chinese; James Beach, a restaurant in Venice Beach; Esquelito, a jewelry store in Echo Park, Los Angeles and the Spanish word for “skeleton”; the Crosby Street Hotel in SoHo, New York; and Love Adorned, another jewelry shop with branches in NYC and LA.
The current mural at the “Bowery Wall” (a.k.a., the “Deitch Wall”) in downtown New York City is an epic, colorful composition of 3D block letters and abstract 2D graphical shapes.
The massive painting is by the artist Lakwena and its message “Lift you higher” could be describing the artwork itself. It’s a bright, aesthetically cheery artwork that has all the right pleasure-centering amounts of visual flavor crystals added to it.
We found this street art on a local newspaper box in the kinda gritty, kinda hipster Kaimuki neighborhood of Honolulu. It’s a further sign of continuing gentrification of this drab suburban patch on Oahu’s south shore. Truly, there’s trouble brewing in paradise. The opening of more high-quality third-wave expresso bars is only going to accelerate.
Hands-down the the Hawaiian Airlines airplane branding is the sexiest ever in the goddamn history of the world. Period. It’s expressed on the tails of its aircraft as a graphical image of a young Hawaiian (we presume Hawaiian) woman shown in profile with a flower in her fair.
Seeing her image on the tail fin of a Boeing 747, you can practically smell the heady, fragrant mix of island flora and coconut oil, you can feel the embrace of warm sand under you feet as you sip a mai tai and let yourself slip into a drunken tropical stupor. Somewhere in the distance you hear the melty slide of a steel guitar and entrancing rhythms of gentle waves crashing.
Wow. That was effective.
Many years ago, when I was in my late teens and early twenties, I was travelling two or three times a year from the U.S. through the Southeast Asian city state of Singapore. These trips were usually en route to Australia and Papua New Guinea to visit family and make “visa runs” during the summer and winter months. I got in the habit of visiting bookstores in Singapore and picking up a lot of novels along the way to satisfy my voracious reading habit on the long flights and months traveling this part of the world.
In Singapore, there’s a lot of contemporary literature by local writers published in English. One such book was “Man of Malaysia” by Tan Kok Seng. His novel reads like a memoir of a poor, working-class man coming of age and finding a life in a homeland that was going through rapid economic development and social change. For a young, white Western man, his story offered a fascinating and rare perspective.
Many years later, I stumbled upon this book in a box we unpacked during a move to a new home. The minimalist design and line-drawn portrait on the cover make the book stand out and is probably what first got my attention when I browsed the display tables of a bookstore in a mall off Orchard Road in Singapore those many years ago.
Good design can serve many purposes. One is to invite the viewer in, to pique a curiosity and draw them to further explore. This book didn’t change my life, but it offered profound, unique insight that likely I would not have gained had I not noticed the book in the first place.
The ever-gentrifying Arts District in Downtown Los Angeles is home to lots of large-scale street art, including this classic Shepard Fairey politically-tinged mural on Alameda Street behind the Angel City Brewery. The artwork depicts the late U.S. president Ronald Reagan holding a sign that says “Legislative influence for sale.” Its message — and politically expressive art in general — strongly resonates in the current American political climate.