This is brilliant. In this short promotional video for the Hammer Museum of Art in Los Angeles, actor-comedians Will Ferrell and Joel McHale take a VIP tour of a conceptual-art exhibition at the museum with its curator. The exhibition is called “Stories of Almost Everyone.” Ferrell and McHale are funny as they’re introduced to various artworks, make comments, and ask questions. The larger gist of the video short is that contemporary — and especially conceptual art — and art museums can be approachable for everyone and are places to ask questions and start conversations about what you see, rather than feel intimidated or confused by the art.
These paintings by artist Ellen Gallagher speak to us in deep, immediate, profound ways. The black abstractions of these canvases are beguiling in their darkness and textures. They change hue and tone as the viewer inches closer to the artwork and the reflection of light off the surface of oil paint brightens and reveals previously unseen layers of shape and color. These are on view at the Hauser & Wirth Gallery in Los Angeles’s Arts District. Another one of her “black” paintings is on display as part of the permanent collection of the Broad Museum a few blocks away in Downtown Los Angeles. The artwork pictured here is titled “Kapsalon Wonder.”
Some will hate it. Some will love it. Many will be confused. More to the point, it’s creepy AF! But “The Theater of Disappearance,” a recently opened exhibition by the Argentine artist Adrian Villar-Rojas at the MoCA Geffen Contemporary in Los Angeles, is a stunning, ambitious, intriguing and unsettling show on a massive scale and must be seen. Or rather, it must be experienced. The exhibition amounts to a giant art installation of geological and human cultural artifacts presented in some post-human future. Villar-Rojas presents stark vision of humankind’s legacy that is fascinating and terrifying.
The artwork of Australian-Iraqi artist Toba Khedoori leaves a distinct impression. Her works are primarily finely detailed, photo-realistic pencil drawings in monochromatic lead or color on massive sheets of waxed paper. The drawings tend to be focused on discrete, single objects set in a vast emptiness — a chair, a fence, a door — or a piece removed from its larger architectural context — rows and rows of seats from a theater or, as in the example pictured here, a fireplace. It’s one of a series of drawings of fireplaces currently on view as part of her solo show at LACMA in Los Angeles. The drawing has a trompe l’oeil quality but has none of the cheap gimmickry of that anachronistic decorative conceit. Looking at the drawing from afar, it appears as if there’s an actual fireplace recessed into the gallery wall.
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これらの大きくて、詳細で、現実的な図面は、オーストラリア – イラクの芸術家トバ・ケドゥリ氏によるものです。 これらはロサンゼルスのLACMAで展示されています。
We recently visited the South Beach, Miami studios of artist-designer Laz Ojalde and took pictures of the space and his work, which includes these lights and objet. Ojalde runs a separate design studio called LMNOQ and has developed an aesthetic around sustainable, minimalist furniture design and art pieces. Super dope stuff.
Photos of “Untitled” red amaca by influential German artist Rosemarie Trockel at the Sprueth Magers gallery space at the recent 2013 Armory Show in New York City. We’re a fan of her work in general, though we’re not so enthralled by this artwork as much as we are by its color. But we do like it more than an a close art critic friend of ours who quipped apathetically that the piece “it would look cool as rug in our living room.”