We — and possibly you, too — are a big fan of large coffee-table art books by the likes of publishers Taschen, Phaidon and Rizzoli, to name but a few. Among our favorite stack of these large tomes is a book by a lesser-known German publisher. It’s a book of photographs by the artists Peter Fischli and David Weiss titled “800 Views of Airports.” And that’s exactly what you get, literally 800 photos taken in airports by the artists over several decades of international air travel. There’s no accompanying text, no explanations, no captions. Just photographs of airports, airplanes, tarmac vehicles, control towers and views looking out of windows from air-terminal boarding lounges around the globe. The book is a mesmerizing document of the airport’s cultural landscape. For those who have traveled widely and often by air, the images in this book may feel in their own way comforting.
The street art of the artist who goes by the moniker Made of Hagop never ceases to impress us with the aesthetic vision of his work. We recently came across this newer piece in Venice.
Hey, you! Yes, YOU! You, the savvy reader of this blog. In case you did not know it, you are an artist!
Well, to clarify, if you aren’t, then you can be. Instantly! Yes, INSTANTLY! What if we were to say that you can be an artist within minutes, if not seconds?
You don’t believe us. Well, let’s a try a little experimental exercise in art production. You have a pair of sneakers, yes? (If you don’t, that’s fine — for this exercise any type of footwear will suffice.) Ok, now grab those sneakers or loafers or mules or flips-flops or whatever, in fact grab a few pairs, as many as you can muster up really. Got ‘em? Great!
Now find some empty floor space, preferably bleached hardwood floor space and pick a spot near a wall, preferably a white wall. Place those pairs of shoes there, and by “place” we mean just dump the shoes on the floor and leave these as they lie when dropped.
And voila, you, savvy ready, have just created a work of art. In fact, it’s a conceptual artwork. It’s kind of like the artwork titled “Skin” by the awesome Moroccan artist Latifa Echakhch pictured in this post. (It’s was recently on view as part of the wonderful and cheeky “Stories of Almost Everyone” exhibition of conceptual art at the Hammer Museum in Los Angeles.)
You see, you are an artist! (To be more precise, you are conceptual artist!) Great job!
The real artistry here is in the next step: Getting somebody to pay you for this artwork, or at least to devote exhibition space to it.
Of course, you can always just call the space you dropped those shoes a “gallery” and you’re now an artist with a gallery show. Look at you! You’ve come so far in just a few short minutes.
We saw this cool street-artsy mural portrait of the Japanese artist Yayoi Kusama in Santa Barbara, California, while visiting there this past Monday. Kusama is a major international art star who has blown up the past few years as blockbuster exhibitions of her artwork and installations have popped up in art museums around the world and collaborations with brands like Louis Vuitton have made her work more visible to a broader, global audience. That said, we were a bit surprised to see her portrait in a town like Santa Barbara. Which got us wondering, in 2018 have we reached “peak” Kusama? The answer is, yes. Maybe. If not this year, then perhaps next.
This video on Vox does a great job of explaining so-called “white” paintings by artists like Robert Ryman, Agnes Martin, Cy Twombly, and so on, as examples of Minimalism and where these fit in the story of modern and contemporary art. Some of these paintings — including one that was essentially a blank white canvas — has sold for tens of millions of dollars at auction in recent years. It sparks the never-ending debate about what is and isn’t “art” and brings up the the often expressed sentiment of “I could do that” among the skeptical art-viewing public.
It’s quiz times once again, savvy readers! Look at these photos. Is this a Home Depot or an art museum?
If you said art museum, you are correct. The third photo in this post is the giveaway and the wall placard in the first photo is a clue that this is a gallery in an art museum.
But without that context, this could be a Home Depot or a Lowes or whichever American DIY home-improvement superstore chain you prefer.
These wooden objects are part of a series of sculptural works by the German artist Imi Knoebel titled “Vivit” and “Vivimus” and are part of the permanent collection of the Broad Museum of Art in Los Angeles.
This is brilliant. In this short promotional video for the Hammer Museum of Art in Los Angeles, actor-comedians Will Ferrell and Joel McHale take a VIP tour of a conceptual-art exhibition at the museum with its curator. The exhibition is called “Stories of Almost Everyone.” Ferrell and McHale are funny as they’re introduced to various artworks, make comments, and ask questions. The larger gist of the video short is that contemporary — and especially conceptual art — and art museums can be approachable for everyone and are places to ask questions and start conversations about what you see, rather than feel intimidated or confused by the art.
We love coffee. You probably do too. But we REALLY love coffee. It’s actually kind of a problem, and, though we may try to curtail our consumption from time to time, we will probably never give it up. Caffeine is a drug.
This addiction has driven us to go above and beyond in seeking out good espresso. Over the past three or four years we’ve visited the cafes, coffee roasteries, and espresso bars of almost every significant purveyor of freshly brewed third-wave coffee in Los Angeles, New York, Amsterdam, and Tokyo.
In Los Angeles, one of the relatively newer players in the local coffee situation is Alfred Coffee. From its beginnings in L.A.’s fashionable Silver Lake neighborhood a few years ago, it has sprouted several branches.
The most recent outpost is in Beverly Hills and like the Silver Lake cafe, it’s decorated with a mural by British artist JGoldcrown and one of his “Lovewall” (a.k.a., “Bleeding Hearts”) murals. Goldcrown’s street art pieces have popped up all around the City of Angels in the past couple of years.
Goldcrown’s heart-filled street artworks can be found on buildings from Santa Monica and Venice on the the city’s beachy far west side, to the Valley, to Silver Lake and the Downtown Arts District on the east, and now in between, in one of the poshest neighborhoods in the world.
Each “Lovewall” is a rectangle of cartoony, roughly-drawn heart shapes in various colors. Some are outlines of hearts, others filled in. The effect is like that of a casual array of doodles scrawled out of boredom on a high-school student’s notebook.
These hearts are often on a white background, but recently the artist has created versions on a black background or with words written into the field of hearts. The new mural at the new Alfred Coffee in Beverly Hills is yet another variation. It’s on a pink background, which is the most evocative — and our favorite — color yet.
Goldcrown’s “Lovewall” murals are on the road to becoming iconic landmarks. In Beverly HIlls, it will make it easier to spot the new Alfred Coffee as you navigate Santa Monica Blvd. traffic in search of a stylish flat white with almond milk and an extra shot of espresso. Like we need that extra shot. (We do.)
We stumbled upon this commissioned mural by the Los Angeles-based artist who goes by the moniker “Bumble Bee Loves You” in the corporate office space for an anonymous entertainment/film production company near West Hollywood.
Artist Zoe Leonard’s 2016 public art project under the Standard Hotel building on the High Line in New York City was a powerful political statement. It’s titled “I Want a President” and it was originally created in the 1990s in response to that era’s political climate in NYC. It was installed as a massive page of text on the High Line to coincide with the 2016 presidential election and 2017 inauguration of the Trump presidency. But it is all the more potent and relevant today in 2018 as it was a year ago or twenty years ago. Few artists so far have been able to voice the frustration, resistance and anger at the current states of governance and leadership in the U.S. in as captivating a way and on such a grand scale as this. Read the full text of the artwork via this PDF.