Last week, we stumbled upon this vintage copy of Yoko Ono’s influential 1964 conceptual-art book “Grapefruit.” It was in a display case arranged with various jewelry, accessories and other small objet at General Store in Venice, Los Angeles. The cool-as-fuck book cover has a black-and-white photo of Ono and titles in a lower-case serif typography of a style that has re-surfaced in recent years in the indie magazine and graphic design worlds. The book itself is not so much an artwork as it is a collection of instructions for creating specific performance art pieces and media, a legit artificat from art’s Fluxus movement of the 1960s in downtown New York, where Ono established herself as a leading figure.
This ping pong table installed in the second-floor terrace of the first-rate Hammer Museum in Los Angeles (and, by design, the museum-visiting couple playing) is a conceptual piece of installation sound art titled “Sound Piece for the Hammer Museum,” one of a series of projects at the museum by Machine Project. Love it.
We’re fans of artist Walter de Maria and his massive abstract, geometric sculptural installation artworks. This one at the always reliable and first-rate Los Angeles Country Museums of Art, a.k.a., LACMA, is an epic work that fills a warehouse-size gallery in the museum’s Resnick Pavillion.