Tag Archives: conceptual art

SNEAKERS : ARTIST DUMPS USED KICKS ON FLOOR, INSTANTLY CREATES CRITICALLY-ACCLAIMED MASTERPIECE

Hey, you! Yes, YOU! You, the savvy reader of this blog. In case you did not know it, you are an artist!

Well, to clarify, if you aren’t, then you can be. Instantly! Yes, INSTANTLY! What if we were to say that you can be an artist within minutes, if not seconds?  

You don’t believe us. Well, let’s a try a little experimental exercise in art production. You have a pair of sneakers, yes? (If you don’t, that’s fine — for this exercise any type of footwear will suffice.) Ok, now grab those sneakers or loafers or mules or flips-flops or whatever, in fact grab a few pairs, as many as you can muster up really. Got ‘em? Great!

Now find some empty floor space, preferably bleached hardwood floor space and pick a spot near a wall, preferably a white wall. Place those pairs of shoes there, and by “place” we mean just dump the shoes on the floor and leave these as they lie when dropped.

And voila, you, savvy ready, have just created a work of art. In fact, it’s a conceptual artwork. It’s kind of like the artwork titled “Skin” by the awesome Moroccan artist Latifa Echakhch pictured in this post. (It’s was recently on view as part of the wonderful and cheeky “Stories of Almost Everyone” exhibition of conceptual art at the Hammer Museum in Los Angeles.)

You see, you are an artist! (To be more precise, you are conceptual artist!) Great job!

The real artistry here is in the next step: Getting somebody to pay you for this artwork, or at least to devote exhibition space to it.  

Of course, you can always just call the space you dropped those shoes a “gallery” and you’re now an artist with a gallery show. Look at you! You’ve come so far in just a few short minutes.

 

LOLS: WILL FERRELL & JOEL MCHALE VISIT CONCEPTUAL ART EXHIBITION, HILARITY ENSUES

This is brilliant. In this short promotional video for the Hammer Museum of Art in Los Angeles, actor-comedians Will Ferrell and Joel McHale take a VIP tour of a conceptual-art exhibition at the museum with its curator. The exhibition is called “Stories of Almost Everyone.” Ferrell and McHale are funny as they’re introduced to various artworks, make comments, and ask questions. The larger gist of the video short is that contemporary — and especially conceptual art — and art museums can be approachable for everyone and are places to ask questions and start conversations about what you see, rather than feel intimidated or confused by the art.

Yoko Ono’s Grapefruit

Last week, we stumbled upon this vintage copy of Yoko Ono’s influential 1964 conceptual-art book “Grapefruit.” It was in a display case arranged with various jewelry, accessories and other small objet at General Store in Venice, Los Angeles. The cool-as-fuck book cover has a black-and-white photo of Ono and titles in a lower-case serif typography of a style that has  re-surfaced in recent years in the indie magazine and graphic design worlds. The book itself is not so much an artwork as it is a collection of instructions for creating specific performance art pieces and media, a legit artificat from art’s Fluxus movement of the 1960s in downtown New York, where Ono established herself as a leading figure.

On the Scene … At the DUMBO Art Festival NYC …

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The cobblestones of Water Street in Brooklyn’s scenic DUMBO neighborhood were covered with adhesive plastic sheets, each with a personal, hand-written message as part of an installation artwork at the 2013 DUMBO Art Festival this past weekend.

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Ping Pong Game as Conceptual Sound Art …

This ping pong table installed in the second-floor terrace of the first-rate Hammer Museum in Los Angeles (and, by design, the museum-visiting couple playing) is a conceptual piece of installation sound art titled “Sound Piece for the Hammer Museum,” one of a series of projects at the museum by Machine Project. Love it.

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“The 2000 Sculpture” by Walter de Maria at the Resnick Pavillion, Los Angeles

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We’re fans of artist Walter de Maria and his massive abstract, geometric sculptural installation artworks. This one at the always reliable and first-rate Los Angeles Country Museums of Art, a.k.a., LACMA, is an epic work that fills a warehouse-size gallery in the museum’s Resnick Pavillion.

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