Tag Archives: broad

QUIZZICAL: ART MUSEUM OR HOME DEPOT?

It’s quiz times once again, savvy readers! Look at these photos. Is this a Home Depot or an art museum?

If you said art museum, you are correct. The third photo in this post is the giveaway and the wall placard in the first photo is a clue that this is a gallery in an art museum. 

But without that context, this could be a Home Depot or a Lowes or whichever American DIY home-improvement superstore chain you prefer.

These wooden objects are part of a series of sculptural works by the German artist Imi Knoebel titled “Vivit” and “Vivimus” and are part of the permanent collection of the Broad Museum of Art in Los Angeles.

LOVE: ELI BROAD’S DECADES-LONG LOVE AFFAIR WITH BASQUIAT

Among the vast art collection of billionaire businessman, philanthropist and art collector Eli Broad is a large collection of artworks by the late, great artist Jean-Michel Basquiat.

Pictured here are a handful of those Basquiats currently on view at the eponymous Broad Museum of Art in Los Angeles. (Note: You’ll see round, blurry shadow in the lower left of each image. Sorry, that’s due to dust in the camera of our iPhone. Time for a new iPhone!).

Broad is one of the biggest art collectors in the world  and has one of the world’s greatest private art collections, especially of contemporary art, post-modern and pop art. Most of it at his museum in LA. 

Broad was one of the early collectors of Basquiat and has many of the artist great works. You could call it a keen eye for a great artist and great artwork.Or you could call it a love affair.

ADVENTURES IN NEON: HOW “DOUBLE AMERICA 2” IS THE PERFECTLY SYMBOLIC ARTWORK FOR THE TRUMP ERA

Artist Glenn Ligon‘s “Double America 2” is among the most profound works of contemporary American art, and it is profoundly American. It’s absolutely brilliant.

The artwork can read on several levels. At its core is the idea of there being two different Americas or American experiences largely due to race, and, more pointedly, to racism, discrimination and its place in the nation’s history.

It points to the psychology of identity, the sense of black and white, rich and poor, haves and have-nots, exterior image and interior reality, something bright — and brightly lit — and ideal versus something gravely wrong, upside down, dark and flickering.

We’ve seen this artwork several times over the years elsewhere in museums around the U.S. and the world. We recently viewed it at the Broad Museum in Los Angeles (pictured here). It’s the first time we’ve seen Ligon’s artwork since the U.S. Presidential campaign and election of Donald Trump, an event that brought the startling breadth of the nation’s cultural, economic, racial and political divides into the sharpest focus. 

“Double America 2” seems a perfectly pointed and symbolic visual meme for the times, for the condition of the United States in the politically divisive, ugly “Trump Era.”