This colorful flurourescent-light sculptural object at San Francisco MoMA is a minimalist classic by the late artist Dan Flavin. Regular visitors to GlobalGraphica may have noticed that we’re suckers for minimalism (it’s true). Works like this really appeal to our sense of a lean, clean, pared aesthetic and the power of empty space. Like much of the work that marked the latter and better-known part of his artistic career, Flavin’s SF MoMA installation makes use of readymade materials — tubes and fluorescent lights — and is composed within site-specific architectural spaces.
The message “Peace is found on common ground” is written at the top of this vivid street art by the Bay Area artist Konorebi. The mural depicts a lion and bear roaring at each other on a segment of wall at an auto-body shop in the Mission District of San Francisco. Though this artwork was created earlier this year, it provides an apt visual metaphor for the current anxiety and tension in America given the recent U.S. presidential election and its dramatic results.
The artwork of the late American conceptual and minimalist artist Sol LeWitt dominates the new mezzanine-level ticket lobby of the expanded San Francisco Museum of Modern Art (SFMoMA). This massive, painted installation is titled “Loopy Doopy” and is another example of LeWitt’s use of bold color and lines in his body of work. The artwork is fresh and exuberant and its curva-linear lines compliment the clean geometric lines of the architecture.
One of the distinct features of the San Francisco Museum of Modern Art ( SFMoMA ) is its architectural design, which includes an oculus structure that funnels natural light through a massive cylindrical space into the museum’s lobby and mezzanine galleries. A bridge traverses the space near the top. There’s nothing quite like it at any museum or major building we know of in the United States.
This epic mural on the side of a store deep in San Francisco’s Mission District depicts the iconic and influential Mexican artist Frida Kahlo. The Mission District (or simply, “the Mission”) is a fitting home to this artwork, given the area’s history as a hub for generations of Mexican and — more broadly — Central American immigrant communities in San Francisco. It has also been a home to many Latino artists and cultural institutions, though gentrification is gradually eroding some of the district’s Latino character.
We’re fans of German visual artist Gerhard Richter, perhaps best known for his “capitalist realism” and his photo-realistic and “blur” paintings. But Richter has explored several distinct visual styles and themes throughout his career. Among his body of work are his “color” (“farben”) paintings, such as this one titled “Farben 256” we saw recently on view at the San Francisco Museum of Art.
This blown-up black-and-white image is a fitting street-art tribute to the late great actor-comedian Robin Williams. The photo adorns a construction-site hoarding next to a popular book shop in the Mission District of San Francisco, where Williams had lived for many years and where he spent his early career working the local stand-up comedy club scene. In the photo, Williams is young, bearded, almost feral with a poignant, restrained intensity. In context of the city’s visual clutter, the image manages stands out.