The New York Times has just published a fascinating article titled “Eight Ways to Build a Border Wall” that looks at various construction prototypes for a new border wall between the U.S. and Mexico. See screenshot above.
A funny thing about “art.” Sometimes the happiest of aesthetic accidents happen as a consequence of totally non-artistic impulses.
Take as prima facie example the case of the roller-shutter pictured above. It’s on a warehouse-factory building in the rapidly gentrifying Downtown Los Angeles neighborhood dubbed the Arts District. It’s a beautiful building, a grand structure standing as testament to L.A.’s glorious former industrial past.
It’s no secret that we here at Global Graphica are fond practitioners of surfing, the so-called Hawaiian “sport of kings.” After contemporary art and good espresso, surfing is our other true obsession.
So on our recent road trips up and down the SoCal coast in search of waves, we stopped in the seaside city of San Clemente, the self-proclaimed “Spanish village by the sea” and a hotbed of surfing and surf culture in south Orange County. There we popped into the Album surfboards shop for the first time to see for ourselves the brand’s famously beautiful and well-designed boards.
We didn’t expect that the shop itself would be as beautiful as those boards. In fact, as we approached the entrance to the minimalist storefront, we were in the hottest of a hot secs stopped in our tracks.
We stood, slacked-jawed and wondered, “Are we in the wrong place? This must be the office of an architecture firm, surely? Or perhaps a day spa designed for the publishers of Wallpaper magazine?”
It was none of those things, savvy reader! It was a surf shop. It was the Album surfboards shop.
We had found surfing’s Holy Grail: An aesthetically-pleasing retail experience ensconced in sophisticated, minimalist architectural design. Our hearts fluttered.
Most surf shops, ya see, they … well, they suck, aesthetically speaking. Most surfboard shapers and brands suck, aesthetically speaking. (As people, they’re awesome; They don’t suck.) But most of them have no taste.
And this bothers us, savvy reader. It tears at our souls. Album, however, has restored our faith.
French photographer Thibaud Poirier has created a series of photos documenting 25 of Europe’s grandest and beautiful great libraries. Poirier’s images capture the vast interior spaces of what he calls “temples of cultural worship.” In all of the these images the libraries are empty.
Like a shiny extra-terrestrial bobble tucked into the foothills above Palm Springs, “Mirage” by Los Angeles-based artist Doug Aitken is among the most striking contemporary-art experiences of 2017. It’s probably the unofficial rockstar of Desert X, an inaugural exhibition of site-specific artworks mostly in the form of installations and sculptural objects spread across the desert landscape of the Coachella Valley.
“Mirage” is a literal house of mirrors. Its loose architectural form is a single-story ranch house in a nod to the region’s traditional housing style. But it’s a ranch house with a shape augmented by contemporary touches – a skylight, a balcony, a window-less chamber.
All that architecture is just a platform for Aitken’s bold visual statement and its main feature: The mirrored surfaces of the house inside and out. The exterior walls, and interior walls and ceilings, are mirrors reflecting the desert landscape outside and multiplying the reflections inside like a silverlight echo chamber. It is not enough to look at it.
Walking through “Mirage” is to be entranced by the unceasing play of light from every angle and reflective pane and by the all the possibilities in reframing your view of the bright desert outside through the house’s many windows
Maximalist German publisher Taschen, producer of epic coffee-table books devoted to all things art and design, has recently given its Los Angeles gallery a wholesale pink makeover. It’s part of the company’s promotion of its new book celebrating the work and career of L.A.-based British artist David Hockney. The gallery is playing host to Hockney’s paintings. The pink exterior is accented with a bold, all-caps, blue treatment of the books title: “A Bigger Book.” The colors reference colors often used in Hockney’s many painting of Los Angeles. Pretty awesome.
A classic example of Los Angeles movie-theater architecture from the early days of cinema, the Vista on Sunset Boulevard in Los Feliz is a landmark. Built in 1923, it has been a part of the LA urban landscape for nearly a century, from the silent-film era through to the recent “La La Land,” which can be seen promotoed on the theater marquee.