French photographer Thibaud Poirier has created a series of photos documenting 25 of Europe’s grandest and beautiful great libraries. Poirier’s images capture the vast interior spaces of what he calls “temples of cultural worship.” In all of the these images the libraries are empty.
Like a shiny extra-terrestrial bobble tucked into the foothills above Palm Springs, “Mirage” by Los Angeles-based artist Doug Aitken is among the most striking contemporary-art experiences of 2017. It’s probably the unofficial rockstar of Desert X, an inaugural exhibition of site-specific artworks mostly in the form of installations and sculptural objects spread across the desert landscape of the Coachella Valley.
“Mirage” is a literal house of mirrors. Its loose architectural form is a single-story ranch house in a nod to the region’s traditional housing style. But it’s a ranch house with a shape augmented by contemporary touches – a skylight, a balcony, a window-less chamber.
All that architecture is just a platform for Aitken’s bold visual statement and its main feature: The mirrored surfaces of the house inside and out. The exterior walls, and interior walls and ceilings, are mirrors reflecting the desert landscape outside and multiplying the reflections inside like a silverlight echo chamber. It is not enough to look at it.
Walking through “Mirage” is to be entranced by the unceasing play of light from every angle and reflective pane and by the all the possibilities in reframing your view of the bright desert outside through the house’s many windows
Maximalist German publisher Taschen, producer of epic coffee-table books devoted to all things art and design, has recently given its Los Angeles gallery a wholesale pink makeover. It’s part of the company’s promotion of its new book celebrating the work and career of L.A.-based British artist David Hockney. The gallery is playing host to Hockney’s paintings. The pink exterior is accented with a bold, all-caps, blue treatment of the books title: “A Bigger Book.” The colors reference colors often used in Hockney’s many painting of Los Angeles. Pretty awesome.
A classic example of Los Angeles movie-theater architecture from the early days of cinema, the Vista on Sunset Boulevard in Los Feliz is a landmark. Built in 1923, it has been a part of the LA urban landscape for nearly a century, from the silent-film era through to the recent “La La Land,” which can be seen promotoed on the theater marquee.
The Parisian clothing and retail brand A.P.C. recently opened a shop in Silver Lake in Los Angeles. Like may of this French fashion label’s stores, whether it’s in Tokyo, Paris or New York, this new LA outpost has its own distinct interior design aesthetic, different from all the other A.P.C. stores, yet inscrutably “on brand” in its warm minimalism.
A.P.C. stores embrace the constraints and quirks of the space they occupy and subtly absorb the character of the surrounding neighborhoods they’re in. At the Silver Lake store, the tiered shelving system is the foremost feature of the space. It’s a piece of architecture in and of itself within the shop space, built in smack in the center of the store and easily eating up much of the architectural footprint. Customers can walk through it.
The plain distilled earthiness of the wood suggests a casual, clean organic aesthetic in sync with the Southern California “canyon spirit” style, but the thin bars of LED lights augment this with a restrained hint of the Hollywood glamor. All in all, it sweetly aligns with the the clothing brand’s style of fashion.
This taco stand popped up at the biannual Echo Park Craft Fair in Silver Lake this past weekend. It seems you can’t drive a block in Los Angeles wihtout seeing either a small taco joint, truck, take-out window or improvised stand. But this one is unique in a couple of ways, most notably in its architecture and construction. The do-it-yourself quality to the construction and use of materials is clever. Long wood boards have been slotted into the gaps in a stack of wood pallets. These pallets form columns and the boards function as shelves and a counter. The menu items are written in chalk on the side of the pallets. White fabric has been thrown over the contruction to form a roof. Then there is the decor. There’s a Tibetan Buddhist-style string of colorful flags strung along the top of the stand. Woven Mexican bowls on the columns add color. Potted plants accent the facade and rest on heavy wood blocks that help support the columns. It’s brilliant, though one wonders how structurally sound it is and whether it’s “up to code,” as they say.