The street art of the artist who goes by the moniker Made of Hagop never ceases to impress us with the aesthetic vision of his work. We recently came across this newer piece in Venice.
Salt Fish Surf Co is a surfy boutique in Venice, in Los Angeles, run by the effusive and friendly French surfer Romaine Goudinoux, who designs and sells branded t-shirts, caps, accessories, and leather-and-fabric surfboard bags hand-crafted in Mexico. But, to be clear, his small second-floor store is not a surf shop. In fact, Salt Fish hardly feels like retail space at all, but rather a beautiful shabby-chic, hipster-surfer living room (dubbed “La Casa Saltfish“). It’s fillwd with Mexican blankets and rugs and a few surfboards propped up amid a tiny selection of merch for sale. The space and vibe is so cozy and chill that you don’t ever want to leave.
Hey, you know JR, right? The French street artist who has become something of a worldwide phenom over the past decade?
Yes, that JR. The one who takes black-and-white photos of people, their faces, close-ups of their eyes and mouths, and then prints them up at massive, mega-blown-up scale and wheat-pastes them on the sides of entire buildings, on the roofs of houses and on the sides of trains.
Yes, that’s the JR we’re talking about.
Well, that JR is the subject of some local speculation with regards to a recent work of street art that appeared on fashionable Abbot Kinney Blvd. in Venice Beach. See pic above.
Or, rather, the speculation is about who put up this street art. It has all the makings of “a JR.” But is it? Is it some other artist? Is it a JR wannabe? A copycat?
And who is the subject of this artwork? Is it, as one commenter on our Instagram feed asked, a photo of octagenarian French filmmaker Agnes Varda? The face, the eyes and the haircut — especially the haircut — have all the makings of Varda.
These are questions we want answers to, savvy reader. And we have answers!
The art was put there by JR (or by his assistants / minions / 3rd-party contractor). The image is of Agnes Varda. It’s placement and timing are not an accident.
As some of you savvy readers may already well be aware, JR and Varda collaborated on a documentary film project called “Faces Places.” The film was a critical success and garnered a 2018 Academy Award nomination. The street artwork appeared around the time of the Awards ceremonies in March, which, of course, are held each year in Los Angeles. Varda herself was awarded a Lifetime Achievement Award by the Academy last year.
So there you have it.
Needs. We all have them. And who doesn’t need a “shady palm.” That is, a palm that just doesn’t provide shade, but wears shades. A palm tree that sports sunglasses.
What more could one want? Well, sun-protection eyewear aside, we need a palm tree that can handle a skateboard. A palm that can shred the boardwalk and the skate park.
This small, cartoony wheat-paste street art is a cute visual pun. The artist is New York City-based artist Raddington Falls, a.k.a., “RAD.” Find “Shady Palm” on Abbot Kinney Blvd. in Venice, Los Angeles.
Check out more of RAD’s work on this website.
Junk Food Clothing and Levi’s, the iconic purveyor of denim jeans, had collaborated on a pop-up concept store in Venice, Los Angeles.
The store is located on fashionable Abbot Kinney Blvd. and is called Tees & Jeans. It offers customers personalization of the brands’ clothing, which is growing fashion-and-style trend.
In the service of the selling of these clothes, and adding edge to the shop’s collabo idea, is a retail design concept and interior decor that rips from a specific era of Los Angeles’s pop cultural history: Gritty 1980s Venice and the SoCal surf and music scenes as epitomized by an obscure local band called the Surf Punks.
The clothing is sparsely displayed a minimalist space that feels raw, under-decorated and under-produced. But it is very much produced and every detail has been thought through.
These details include the vintage framed black-and-white promotional photos of the Surf Punks, founds objects like traffic road signs, and used surfboards covered in dirty wax and scrawled with graffiti, deftly propped up in a corner of the store. (Yet another example of the over-employed cliche of a surfboard as decorative object in a shop or restaurant, as also seen here.)
Text by Van Corsa
Imagine. You’ve made it. Went to school. Got a job in a tech start-up. Paid off your student debt. Moved to Los Angeles. L.A. Then you got a tech job at another start-up. In Venice, a.k.a., “Silicon Beach.”
That start-up made an app and it got big real fast. You made a shitload of money. Then you MOVED to Venice. Rents insane. Then you BOUGHT in Venice. You found a condo around the corner from fashionable, beautiful and gentrified Abbot Kinney Blvd. Prime real estate. Primo location, bro! Expensive.
This condo, it wasn’t just any condo. Because you’re not just any Silicon Beach scrote. You’re not just another sartorially-challenged techie slacking in basic, comfortable fashion. You are more than just a dude with a closet full of hoodies and New Balance sneakers and the full quiver of video game consoles.
The crowd of people snapping pix on the sidewalk along fashionable Abbot Kinney Blvd in Venice, in Los Angeles, seem for a moment like the scrum of paparazzi feasting on the presence of a mid-level Kardashian exiting the Chateau Marmont Hotel on a tipsy Friday night. But this is not the case.
All these folks, with their iPhones held aloft, dangerously stepping backward a few paces into the street and the path of oncoming vehicles, holding up sidewalk foot traffic, are taking pix of a piece of hyper-Instagramable street art by the artist Kelsey Montague. The artwork is beautiful and worth the pic, for sure.
Part of its appeal though is less aesthetic and more for the pure visual gimmick. For many, the allure is to be photographed standing in front of the artwork, positioned carefully between the two “wings.” So it looks like they have wings! Get it? Aaaaahh! So cuuuuuuuuuuuute!
The flow of moneyed (and/or credit-card debt laden) hipsters and tourists navigating the narrow pavement on this stretch of Abbot Kinney slows to a crawl as people pause to take photos or try to not accidentally photo-bomb somebody’s pic by walking into frame. There’s a bit of polite if determined jostling that goes on. It amounts to a kind of ephemeral, accidental choreography that, coupled with all the casual apologies, can be more mesmerizing to view than the artwork itself.
Meanwhile, cars slow down on the already tortoise-paced boulevard. Somebody driving by in a douchey banana-yellow Porsche 911 convertible audibly laments about “Fucking Millennials!” and a 30-something couple pushing a double-wide Bugaboo baby stroller, frustrated but sheepish, try their best to thread their way through the masses on the sidewalk.
The mural is in keeping with a series of “What Lifts You” (#whatliftsyou, of course) paintings of butterfly-like wings Montague has been creating for years on walls all over the world. It’s become the thing she’s known for.
These detailed paintings are comprised largely of imagery drawn from the natural world, an assortment of flowers and leaves fashioned into the shape of wings. On the streetscape, it adds a wonderful touch of beauty and whimsy, turning yet another small patch of the world into an Instagram set piece.
(By the way, if you’re wondering how there’s nobody in the photo above, we took our pic on a slow Monday evening in the hot nano-sec between passersby. Luck. #blessed AF!)
British-born artist Jules Muck (a.k.a., “Muckrock“) painted a portrait of recent U.S. Democratic presidential primary candidate Bernie Sanders on the side of a white van, seen in the photos here parked on a residential side street in Venice, Los Angeles.
Muckrock’s street art and murals are a fixture of the LA’s westside landscape, especially in the neighborhoods around Venice Beach, where the artist lives. There’s also a bird painted next to Bernie on the van, but the significance of the small winged creature escapes us. That only the head of Sanders was painted — aside from the bird — and that the van is like a blank canvas, serves to further draw the viewer in and focuses attention on the subject.
. . . . .
UPDATE UPDATE UPDATE: A Global Graphica reader pointed out the significance of the bird in this artwork. It’s a reference to “birdie sanders” and an incident in early 2016 when then presidential candidate Sanders was giving a campaign speech and a small bird landed on his podium. We remember the event, but admit we totally missed this reference when we saw this street art!!! This helpful reader also pointed out that the bird depicted in the artwork is a White-crowned Sparrow, not the same type of bird that landed on Bernie’s podium. (Many thanks, Jerry!)
On another note, another reader pointed out that this mural brings another layer to the literal meaning of the word “VANdalism.” Hahaha.
As always we weclome reader feedback, suggestion, corrections and inquires via email. Thanks!
Here’s another one of the many “Bleeding Hearts” murals in Los Angeles by British artist JGoldcrown’s also called “Lovewall.” The one pictured here is near trendy Abbot Kinney Blvd. in Venice. The background color of these murals is usually white, and this one was until recently when it was repainted with a black background instead. Fresh.
This wheat-pasted street art of two dogs is awesomely colorful and cute. It’s also tiny, smaller than the palm of a hand. It’s miniature street art, which is cool. But it would be even cooler if it was the size of a small building, because the artwork itself is beautifu and could have such great impact at a larger scale. The artwork is in an alley behind Abbot Kinney Blvd. in Venice, Los Angeles.