This sticker reading “Photography is Not a Crime” by WatchXWitness was placed over a various photo images — print-outs, magazine pages, and other street art — that had been wheat-pasted do a garage door on Lafayette Street in SoHo, New York.
Here’s an excellent short video by Tony Zhou explaining how director Martin Scorsese edits sound in his films and employs long silences to great effect. Three great examples cited here are moments from the movies “Internal Affairs,” “Goodfellas,” and “Raging Bull.”
We’re loving Acid, a fresh and artsy surf magazine based in Europe. In issue Number 2, pictured here, there’s beautiful photography and photo essays and fascinating personal essays about surf adventures in unlikely places like the southeast of England where waves are extremely rare and the Eisbach River in Munich, Germany, hundreds of miles from the sea and many more from an oceanic surf break.
From the earliest days of film, this fascinating archival footage shows traffic scenes from 1890s London and other places in the age before cars. What’s striking is just how much traffic there was — a lot — and how much horses were a part of the densely populated urban landscape and how vital their role was the city’s public transportation of the day.
“ME TV” is a photography book collected and edited by Thomas Sauvin and Erik Kessels that presents an obscure, mysterious collection of found photos in the format of an actual, ordinary photo album. The book has been published in a limited edition of 300. The photos in the book show a Chinese woman in her sixties standing next to a TV somewhere in China in the 1980s. In each picture, the TV, the setting, and her pose (her left pinky always sticking out ) remain the same, but her clothes are different and there are slight variations in saturation hue and the angle and distance of the camera to the subject. Why these pictures were taken and who took them is a mystery. The publishers have spent years hunting down and publishing found photography (also called “vernacular photography”), images found in the personal photo albums of strangers and amateurs discovered at flea markets, libraries, garage sales and on the Internet. These are mostly photos never intended for aesthetic consideration by a wide public audience.